Re-Creating An Icon: Bringing Jessica Rabbit Into The Third Dimension With iClone
Dutch artist Jasper Hesseling used iClone to model and animate a 3d Jessica Rabbit in just two weeks.
Dutch artist Jasper Hesseling used iClone to model and animate a 3d Jessica Rabbit in just two weeks.
Scrat Tales executive producer Chris Wedge, production designer Mike Knapp, and producer Anthony Nisi discuss Blue Sky Studios' final production.
"Slow Light" employs paper cut-out stop-motion and b&w hand-drawn animation to differentiate between overlapping timelines.
The film was made during Chile's recent social uprising. "We were making a short film about torture in the past, while this was happening again in our country," says director Hugo Covarrubias.
The startup works with celebrities to create animated characters that live on social media.
We asked the directors of this year's 15 shortlisted shorts how they developed their narratives.
'Spirit Untamed' marks the feature directorial debut of story artist Elaine Bogan.
Have you ever given a brain massage before?
Learn how Mollie Ong harnessed the newest features in Toon Boom Harmony 21 to create her new short film.
As the French family film qualifies for an Oscar, its creators are working on two follow-up specials.
FuzzyPixel producer Jen Dahlman explains how the cloud can help streamline animation production.
Marq Evans's film also gives a rounded portrait of Vinton himself, as a visionary but flawed artist and leader.
The developers behind the new tool explain why they created it, how it is used, and what lies ahead for real-time 2d animation.
A coming-of-age story of a boy with Down Syndrome who learns to navigate the world with a loving mother, an absent father, a classroom bully, and a life-long crush."
The co-founder of Baobab Studios tells us how the company's vr titles, including "Baba Yaga," wouldn't exist without Unity.
Even as she built up an impressive career working with the likes of Ralph Bakshi, Hanna-Barbera, and Warner Bros., Banks remained very private about her life.
“Remy, the Ratatouille, the rat of all my dreams / I praise you, oh Ratatouille, may the world remember your name.”
Welcome to our new series, in which industry artists and filmmakers speak about their favorite tool they used on a recent project.
Matt Watts talks about an important and often overlooked part of the 2D animation process: character rigging.
The company, which is home to many vfx and animation studios, is $1.59 billion in debt.