A Cheat Sheet To (Almost) Every Game Developers’ Remote Work Policies
Find out which companies allow work from home and on what terms.
Find out which companies allow work from home and on what terms.
The showrunner of Netflix's new satirical series talks conspiracies and creative collaborations.
The tech company is getting serious about animation.
Get the lowdown on key shows launching on streaming in November.
Disney has licensed major anime series. They will come out on Disney+ in Japan, with details of the global release to follow.
In the new short film "The Windshield Wiper," Albert Mielgo attempts to uncover what it is about this thing called love that so enraptures humanity.
Check out U.S. animation highlights of the coming weeks.
Dan Ojari and Mikey Please explain how they made their seasonal short at the storied stop-motion studio.
"We need to collectively decide what's healthy for us as individuals," says Gavin, "and find a way to make taking responsibility for maintaining our mental health a real priority."
Troy is gone. The animation industry has lost a legend. And I, and countless others who were lucky enough to know him, have lost a friend.
"Bob Spit - We Do Not Like People" is the first Latin American feature to win the top feature prize at the Ottawa Int'l Animation Festival.
The film will premiere at Japan's New Chitose Airport International Animation Festival.
The show about young adolescence has been developed on Instagram, and is set for an online-only release.
For many graduates, this strange experience sharpened their ideas about what they want in their careers. They tell us why.
Angolan war feature "Nayola" and dark gourmet drama "Paradise Buffet" are among the projects.
"We always want to do funny things, but the results are always terrifying. We seem to be bad comedians."
Pajek's new short will world premiere this month at the Ottawa Int'l Animation Festival.
Europe's most important pitching platform for animated series returns on September 20–23. Here's some projects to look out for.
The exuberantly experimental indie feature is out in theaters and on video on demand.
Animation creators are generally lucky to own 10% of their IP. A cohort of young companies wants to change that.