‘Flee’ Reviews Roundup: Refugee Doc Is One Of 2021’s Best Animated Films
Critics like the film as much as award voters do.
Critics like the film as much as award voters do.
A landmark study has shone light on systemic issues facing women in the vfx industry.
Troy is gone. The animation industry has lost a legend. And I, and countless others who were lucky enough to know him, have lost a friend.
“We don’t want all these objects to end [up] in the ocean or poor countries as garbage,” says Delphine Maury of France's Tant Mieux Prod.
The director of "Belle" says that a lot of anime filmmakers present young women in a way that "has nothing to do with the reality of who they are."
Robbins admits that the kids network had "lost its way for a while."
A preview of the five features that Chile will present at the Marché du Film.
Reviews of three disparate films that played in competition at this year's Annecy festival.
Gina O’Melia traces the rise of the American Saturday morning cartoon and the challenge to its supremacy from anime shows.
The developers behind the new tool explain why they created it, how it is used, and what lies ahead for real-time 2d animation.
Pixar veteran Oh has scored an Oscar nomination for his self-produced experimental short. He tells us how the project came about.
"Save Ralph" brings together the talents of puppet maker Andy Gent, animator Tobias Fouracre, and DoP Tristan Oliver — as well as the voices of Taika Waititi and other stars.
Amid the delirium of remote working, four Disney animators found a way to bring their toilet paper to life.
If nominated for an Oscar, "Umbrella" will become the first Brazilian film to reach that stage in the animated short category.
These upcoming animated features are from Asia, South America, and Europe.
We speak to finalists in this year's pitching contest about the benefits and challenges of creating animated IP in the region.
"The sprawling story seems to touch on almost every aspect of human life," says Long. "I found it overwhelming and strangely addictive."
We speak to four studios about what it takes — and what it costs — to make cg visuals for theme park rides.
"The animation industry is still a boys' club," says Hannah Lau-Walker, founder of She Drew That.
The film is the first to be directed by Pete Docter, the studio's new chief creative officer, since 2015's "Inside Out."