School Of Visual Arts Students Discuss How They Completed Their Thesis Films Remotely
For many graduates, this strange experience sharpened their ideas about what they want in their careers. They tell us why.
For many graduates, this strange experience sharpened their ideas about what they want in their careers. They tell us why.
A new full-sized pinscreen — only the third in existence — has arrived in Quebec. Its creator talks us through the painstaking process of assembling it.
Work smarter and faster in Maya - discover the essential toolset used by animators at feature film and AAA-game studios.
For the Greenpeace campaign video "Wasteminster," the studio had to drop the equivalent of 67.7 million items of cg trash onto the U.K. prime minister's residence.
Joanna Quinn's new film "Affairs of the Art" took years to make, but that was a reward in itself: "It was like an extended college, and I felt I was learning new things about animation, drawing, and direction all the time."
The developers behind the new tool explain why they created it, how it is used, and what lies ahead for real-time 2d animation.
Olivares, who also served as character designer on Sony's new film, tells us how it came together visually.
The director recalls how a passion project turned into an Oscar winner.
The online festival will take place on March 24–25.
"Everything in this film was new to me," says Laudenbach.
The film is out now in select theaters and on HBO Max in the United States.
In challenging times, the school's student and staff are finding ingenious ways to connect and make art.
Says Bollinger: "Witnessing Daffy Duck coming apart at the seams as his world was deconstructed in front of him … it was sheer genius!"
Stan Lee waxes lyrical about "the most useful word in the English language" in Fromm's juicy film.
As the school launches new diversity initiatives, alumni share their experiences tackling social and political issues in their work.
She worked as a visual development artist, character designer, and story artist on most of Disney's 2d features of the 1990s.
"In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions," says Nathan Love's Joe Burrascano.
Best of all: everything is free!
Some tips to get started: push color, disregard how light really behaves, and don’t let the background upstage the characters.
The Scooby-Doo origin story is the second animated tentpole to skip theaters for VOD.