Sony is committing to the creative team of Phil Lord and Chris Miller in a big way.
Nasrabadi will play a key role at DHX’s animation operation, which currently employs around 500 people in Vancouver.
Moore says Sony will allow him to “really push the envelope when it comes to visual style and breadth of storytelling.”
Marmota’s new series “Hit Hard, Hara” is the first series entirely created by Chilean talent to premiere on Cartoon Network Latin America.
The studio most recently created the 2d sequences for “Mary Poppins Returns.”
Hundreds of classic animated films have been made in one of the most unlikely animation studios. Paul Driessen, Torill Kove, Jacques Drouin, Janet Perlman, and others share memories of the awkward but beloved NFB building.
Miramax’s new family and animation division wants to be a “home for directors, writers and artists to create their best work.”
The unit, which lasted for six years, pushed the development of immersive and interactive 360 storytelling, especially for vr.
Brevig will join Method Studios as senior vfx supervisor and creative director.
The Berkeley-based studio founded by Robert Kondo and Dice Tsutsumi reveals big plans for 2019.
The new structure of Warnermedia could have a major impact on the future output of Cartoon Network, Adult Swim, Boomerang, and Rooster Teeth.
Formerly Studio Pascal Blais, Tonic DNA sets a new course for its future, including more long-form projects.
Lighthouse, a joint venture between Mercury Filmworks and Cartoon Saloon, continues to grow in Kilkenny, Ireland.
The producer of “Gumball” is taking on more responsibility at Turner EMEA.
Show co-creator Eric Robles says the series is not cancelled.
Paramount Animation just became the new home of John Lasseter’s films and they’re not happy about it.
Cohn will oversee both film and television animation at Dreamworks.
One of the U.K.’s largest independent animation studios is expanding.
A major vfx player is opening up shop in Montreal.