Nick Park and his longtime collaborate Merlin Crossingham review the craft, technique, and stop-motion performances of Netflix’s latest Oscar-nominated feature.
You’re invited to a free screening of the latest Wallace & Gromit feature followed by a reception with the directors.
Watch a half-hour video in which we discuss comedy craft with the directors of ‘Wallace & Gromit: Vengeance Most Fowl.’
Start your year right – with Wallace & Gromit!
Ahead of the Thanksgiving holiday, studios are releasing trailers for next year’s animated movies.
Featuring intricately crafted wooden-style puppets with hand-drawn eyes and mouths, the short serves as a fitting coda to McHale’s masterpiece.
The studio also revealed that it was unprofitable last year because of slow sales on the series ‘Lloyd of the Flies.’
VFX and animation studios across the U.K. are celebrating an increased expenditure credit included in the country’s spring budget.
Critics are saying that ‘Dawn’ has the humor and good looks of its predecessor, but lacks the first film’s sense of peril.
“If I’m daunted by something, I’m more attracted to it,” says Fell of the sequel, which debuts this Friday on Netflix.
The studio reassured fans that “there is absolutely no need to worry.”
Aardman Animations’ ‘Chicken Run’ sequel will hit Netflix on December 15.
This year’s conference boasts an incredible speaker lineup and several panels of the impact of AI.
‘Dawn of the Nugget’ will premiere on Netflix on December 15, after world premiering at BFI London on October 14.
The film will screen on October 14, a full two months before its December 15 Netflix debut.
Reubens’ ‘Pee-wee’s Playhouse’ influenced a generation of artists who work in children’s entertainment.
‘Lloyd’ is the first cg series produced at Aardman’s Bristol-based studio and will debut on the Fox-owned AVOD platform Tubi on August 6.
The deal includes physical home video, EST, TVOD, and limited theatrical rights to ‘Morph,’ ‘Shaun the Sheep,’ ‘Wallace & Gromit,’ and ‘Timmy Time.’
Filmmakers from five of the shorts explain how their stories are particularly local, despite being set in a galaxy far, far away.
Aardman managing director Sean Clarke also lamented poor animation education standards in the U.K. and said graduates who enter the workforce are not “production-ready.”