The Scooby-Doo origin story is the second animated tentpole to skip theaters for VOD.
Paramount’s aim is to start releasing two animated features per year.
“Uglydolls” is the fourth animated film to crash and burn at the box office in 2019, and we’re only in May.
The first feature from STX Entertainment isn’t getting much love from the critics, but will it do better with audiences?
“I like taking on something that’s not going to be that easy,” says “Uglydolls” director Kelly Asbury.
STX aims for a slice of the animation box office piece with their first feature, “Uglydolls.”
The veteran animation director is joining Reel FX to direct an original feature.
Paramount Animation’s slate is growing.
Reel FX is hiring 220 people for its new Montreal studio.
For a filmmaker, working in vr is like chopping off someone’s legs and telling them to run, says “Son of Jaguar” director Jorge Gutierrez.
We’re launching this new resource to help readers keep track of American animated features in development.
Key members of Moonbot Studios have reunited to form a new studio that will focus on telling great stories across emerging tech platforms.
Experts in vr animation weigh in on what they’ve learned from working in the medium so far.
Made in America with Chinese money, does “Rock Dog” represent a future for animated features?
The most expensive Chinese-financed animated feature of all time is getting an American release.
Chinese filmgoers have put their support behind an indie hand-drawn/CG animated feature that took 12 years to make.
China’s most expensive animated feature of all-time is at the center of a war between Chinese entertainment conglomerates.
Ash Brannon, director of “Surfs’ Up” and “Toy Story 2,” is helming the project.
Reel FX is moving forward with its exciting collaboration with the Spanish directors of “Nocturna.”