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It’s always amusing when people criticize Walt Disney for being sexist because of the way he ran his company over 70 years ago, while completely overlooking the contemporary Disney Company’s abysmal track record of promoting women into top creative positions.
Warner Bros. Animation’s “Mike Tyson Mysteries” is a throwback to the celebrity-endorsed TV cartoons of the 1970s and ’80s, but the comedic twist is that the “celebrity” is a wife-beating, drug-abusing, flesh-biting, convicted rapist.
Scheduled to debut in 2015, Comedy Central’s “Moonbeam City” is described as an absurdist take on the sex-drenched crime dramas of the 1980s.
Last week at San Diego Comic-Con, Cartoon Network offered the first look at “Over the Garden Wall,” a ten-episode fantasy mini-series that will debut this fall.
In a first-of-its-kind programming move that even surprised the show’s creators, Nickelodeon will remove “The Legend of Korra” from its network schedule, and premiere the remaining episodes of season three exclusively on digital platforms.
Disney TV Animation announced an unusual series of pilot deals and projects today with an un-Disney-like roster of creators.
Guillermo del Toro announced yesterday that he is developing an animated series based on his film “Pacific Rim.”
It’s getting harder and harder to tell the difference between YouTube cartoons dreamt up by teens in their bedrooms and big-budget TV studio productions created by professionally-trained artists. Today, Disney Television Animation announced the beginning of production on “Pickle & Peanut,” a “buddy comedy series about two unlikely friends—an emotional pickle and a freewheeling peanut…two underdogs who dream up plans to be anything but ordinary.”
Television execs seems to be stuck in a neverending nostalgia loop. In just the past week, reboots or spinoffs have been announced for “The Lion King,” “The Magic School Bus,” “The Powerpuff Girls”…and now, “Danger Mouse.” The iconic U.K. cartoon series, which was produced by British studio Cosgrove Hall from 1981 to 1992, is returning to the small screen next year with 52 eleven-minute episodes.
Cartoon Network is reviving “The Powerpuff Girls” as a regular series, the network announced on Monday.
In a sign of changing times, animated programming produced for both Netflix and YouTube has begun to earn a significant number of Emmy Award nominations, competing alongside traditional broadcast and cable series.
“It’s kind of like “The Lion King” meets “The Avengers,” says Nancy Kanter, general manager of Disney Junior, when describing their upcoming preschool series “The Lion Guard.”
Nickelodeon has picked up a new series: “The Loud House” by animation veteran Chris Savino. The series is inspired by Savino’s own “chaotic life growing up in a huge household,” and follows a boy named Lincoln who lives at home with his 10 sisters. The concept received a 13-episode greenlight based on the following pilot from the studio’s 2013 Animated Shorts Program.
Tonight, Cartoon Network quietly released two new pilots that were produced in 2013: “AJ’s Infinite Summer” created by Toby Jones and “Long Live the Royals” by Sean Szeles. Both Jones and Szeles work on “Regular Show”—Jones as a writer/storyboard artist and Szeles as a supervising director/writer/storyboard artist.
While Fox’s Sunday night lineup was dubbed Animation Domination in May 2005, it did not officially become all-animated until 2010. Now, the announcement of their fall 2014 schedule reveals that the cartoons will be ceding some of their Sunday night territory to live-action comedies “Brooklyn Nine-Nine” and “Mulaney,” which will be taking over the 8:30 and 9:30 time slots, respectively.
Fox’s experiment with late-night animation didn’t go as well as they had anticipated. The network will end its Saturday late-night animation block ADHD (Animation Domination High-Def) in June, less than a year after it began. It was originally created as a replacement for the cancelled sketch comedy show “MADtv.”
Following Sylvain Chomet’s first-class “Simpsons” opening, I didn’t expect any animator to top it creatively—and certainly not so soon after. I’ve never been happier to be wrong.
The most fascinating bit of news out of WonderCon last weekend? Japanese director Masaaki Yuasa (“Mind Game”) has storyboarded and directed an upcoming episode of “Adventure Time.”
This week’s issue of “The New Yorker” does something that they rarely ever do: review an animated TV series. The show they elected to discuss is “Adventure Time.”
“Green Lantern: The Animated Series” showrunner Giancarlo Volpe drew a mini-comic about his first experience attending a focus group for his series.