The Dear Hunter Drifts Into Animated Sci-Fi With ‘The Glass Desert I – Giants’ Music Video
The prog rock group’s new video blends synth, jazz, and funk influences with expansive worldbuilding and imaginative animation ahead of a March 20 album drop.
The prog rock group’s new video blends synth, jazz, and funk influences with expansive worldbuilding and imaginative animation ahead of a March 20 album drop.
Grammy-nominated composer Moira Smiley pairs an Edo-period poem with hand-painted animation by Banna, addressing beauty, power, and violence.
Electronic musician spktra on obsessively crafting the look of his ’90s-inspired music video, teaching himself animation, and recruiting a ‘Batman Beyond’ vet.
With no dedicated Thanksgiving episode this year, the ‘Bob’s Burgers’ crew wanted to do something ‘truly just for the fans,’ creator Loren Bouchard tells us.
Seventeen joins the Smurfs for a playful hybrid music video of ‘God of Music,’ blending K-pop star power with a classic cartoon franchise.
Weird Al will present Bill Plympton’s ‘Your Face,’ ‘Guard Dog,’ and more plus New York premieres of ‘Duckville’ and ‘Whale 52’ at the IFC Center, Sept. 15–21.
Lee Hardcastle’s clay stop-motion video for Gunship’s ‘Tech Noir 2’ blends retro gaming, stop-motion craft, and synthwave nostalgia into a sensory feast.
Singing, instrument-playing stop-motion rabbits, dripping paints, felt, and an urban landscape made of wood and found materials, “Weeping Monolith” is a wondrous sensory overload.
Set against a backdrop of soulful retro grooves, “Don’t Make it a Song,” a music video for Canal Power Club, is a breezy, funk-infused stop-motion piece.
In the video for the band Kiwi Hug, icky green snail creatures try to devour the band members.
The Brazilian Cartoon Network series ‘Jorel’s Brother’ won for best series.
A technical and visual explosion, this video is an unsteady zoom ride where we encounter an array of faces, objects, and scenarios.
The mixed-media music video combines drawn animation, cg, and rotoscope for Irish singer Mary Coughlan’s take on the classic song ‘Is That All There Is?’
The new film is a collaboration with the band The Sound of Money and AI artist Isabel Kohlhagen.
The winners will be announced on May 10 in a ceremony held on the Canary Island of Tenerife.
Through a mix of drawn animation and physical objects, the visuals echo the surreal style of Ralph Bakshi and the dreamlike aesthetic of ‘Fantastic Planet.’
“‘Blue Lock’ is all about the mentality of becoming the very best, and that’s the mindset I’ve always had in music,” said Shao Dow of the video’s message.
Scher brings a vivid and emotionally resonant interpretation to Petty’s themes of longing, lost love, and the struggle to move forward.
His style complements the whimsical narrative of a woman taking an unconventional cab ride to the moon.
‘Jump Cut’ features a rhythmic collision of ephemeral videos and images that seamlessly morph into one another, enhancing the title song rather than merely complementing it.