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TAG FOR “Feature Film”February 24, 2010 8:30 am
From the story in today’s Hollywood Reporter: “We wanted to make sure that it was not the Speedy of the 1950s — the racist Speedy,” said the comedian’s wife Ann Lopez, who will serve alongside him as a producer. “Speedy’s going to be a misunderstood boy who comes from a family that works in a very meticulous setting, and he’s a little too fast for what they do. He makes a mess of that. So he has to go out in the world to find what he’s good at.” That path becomes clearer once Speedy befriends a gun-shy race-car driver. “The racist Speedy”? Pardon me, but the Speedy I know from the 1950s cartoons was a hero, a champion. I would suggest the writers watch a few of the cartoons before inventing a scenario from whole cloth. February 23, 2010 12:05 am
This time I’m not going to say a word: Plumiferos premiered in Buenos Aires last Friday. It’s the first CG animated feature to come from Argentina, in addition to being the first feature length film animated in Blender. For more information, and a candid review by a production crew member, visit Blender Nation. (Thanks, Chris Larkee) February 18, 2010 5:00 pm
From the country (India) that brought you Roadside Romeo now comes this: (Thanks, Rohit Iyer) February 18, 2010 10:30 am
Each year I’m dismayed at the lack of U.S. distribution for several high quality theatrical animated features, out of the dozens of really good ones, produced around the world. However, I recognize that not all non-U.S. features are of the quality of The Secret of Kells, Persepolis, Waltz With Bashir or The Triplettes of Belleville. Here are two examples of recent Euro-features that will probably never see the light of day at an American multi-plex (though I wouldn’t rule them out from the $1 dollar bin at Target): The first, a The next, a Belgium-Luxembourg co-production, is based on the graphic novel by Willy Vandersteen, Bob and Bobbette and the Devils of Texas: February 17, 2010 10:00 am
Here’s a heads up on Quantum Quest - the Movie, a 50 minute 3-D Large Format film with an amazing ensemble cast of recognizable voice actors, a lame story and cliche characters & dialogue. It has Delgo written all over it. It opens in museums and Imax Theatres starting this month. (Thanks, Al Young) February 2, 2010 8:00 am
News media stories about the Oscars are cropping up all over and all of them are parroting the same factoid: Up is only the second time since the inception of the award that the Academy has nominated an animated film for Best Picture. (The first time was Beauty and the Beast in 1991.) What they should be writing is that today is a milestone day because two animated films were nominated for an Oscar: Up and Avatar. There is little doubt in the minds of both Brewmasters, Jerry Beck and Amid Amidi, that Avatar will eventually be recognized as an animated feature as more and more films are created using the constantly evolving performance capture animation technique. Within the industry, most already recognize the film as heavily animated, from top feature film animators who wonder why Avatar’s animators are receiving so little credit for their work on the film to animation union rep Steve Hulett who stated that if, “Avatar isn’t halfway to three-quarters animation, I will eat my computer.” Most importantly, had this film been submitted to the Academy for consideration in the animated feature category, it would have qualified under the Academy’s own rules. While James Cameron’s publicity machine may be unwilling to acknowledge the extent of animation used in creating Avatar, let us be the first to congratulate Mr. Cameron on his nomination for his groundbreaking piece of animation. February 1, 2010 2:05 am
After nine weeks in wide release, Disney’s Princess and the Frog limped across the $100 million mark last weekend. It generated $757,000 at the North American box office for a grand total that now stands at $100,309,000. Somehow I have the feeling there won’t be a lot of people uncorking the champagne in Burbank today. January 29, 2010 1:00 pm
And most of you are asking “Who cares?” The original Hoodwinked had art direction and character design that were - let’s face it - piss poor, but I enjoyed the film nonetheless. It had a funny, clever script with good performances — and took me (and a whole lot of other people) by surprise, grossing $51 million in January 2006. The Weinstein Company has pulled the sequel, Hoodwinked Too: Hood vs. Evil, off its release schedule for the time being. It was first set for January 15th 2010, then pushed back to February 12th, and now… who knows? According to his blog, Hoodwinked’s creator himself, Cory Edwards, has no idea when the film will be released. But that hasn’t stopped Weinstein’s pre-existing deal with Burger King to offer toys from the sequel with its Kids Meals this month. Better scoop them up now, they may become quite a collectible.
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