Sony’s ‘GOAT’ Was A Box Office Slam Dunk Over Its Opening Weekend
The Sony Pictures Animation release debuts above projections, showing family audiences still turn out for well-marketed, non-franchise theatrical films.
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
The Sony Pictures Animation release debuts above projections, showing family audiences still turn out for well-marketed, non-franchise theatrical films.
Kellen reflects on collaboration with Alê Abreu, translating motherhood into animation, and crafting a silent, nature-driven feature over seven years.
Studio4°C unveils the first English-subbed trailer for the highly anticipated sequel ahead of its world premiere in the Generation Kplus section at Berlinale.
View Conference, the increasingly influential Italian get-together, is hosting a digital roundtable for this year’s animated feature nominees.
The project signals a turning point for Indian animation, marking a rare full-scale, globally positioned feature spearheaded by a local studio.
Yoshiaki Kawajiri’s 1993 anime thriller will premiere in a newly scanned and remastered edition at the Berlin film festival before physical release in 2027.
GKIDS picks up Bruno Bozzetto’s full catalog as the restored cult classic gets a 50th anniversary screening in New York alongside ‘Fantasia.’
Isamu Imakake’s spirit-world fantasy secures U.S. distribution following its Japanese theatrical run, arriving on digital platforms March 3.
The animated feature, once scrapped by Netflix, returns with new backing from Snafu Pictures and heads to Berlin’s European Film Market.
After two years in development, Sony has pulled the plug on the culturally rooted animated feature, calling it “not commercial enough.”
This year audiences got Super Bowl spots for the new ‘Mario Bros.’ and ‘Minions’ movies, as well as Pixar’s next original, ‘Hoppers.’
The anime feature gets a brief big-screen showcase overseas, underscoring Netflix’s ongoing habit of treating cinemas as optional extras.
The inaugural EFM Animation Days is heating up with high-profile titles and companies using it as an early year launchpad.
GKIDS sets a limited release for May 10 and 11 for Shoji Kawamori’s original sci-fi feature, blending pop music, online identity, and social commentary.
‘On The Edge’ originated at Studio BlueGreen, a not-for-profit animation studio using entertainment to strengthen audience connections with nature.
Early projections suggest a $40–50 million debut, testing whether Pixar originals can once again compete theatrically without franchise support.
‘Bluey’ was the year’s most watched anything, ‘KPop Demon Hunters’ took the top film prize, and Seth MacFarlane won Streaming Icon of the Year.
After taking time to finish her graphic novel ‘Raise the Bar,’ formerly a series project at Netflix, Frick returns to animation with the stop-motion teaser.
Mattel and Hasbro unveil expansive toy lines tied to Netflix and Sony’s animated hit in a merchandise push that arrived long after the film broke out.
Caballero discusses hybrid animation, miniature sets, and rotoscoped performance in a deeply personal documentary shaped by family memory and grief.