The filmmakers of “Welcome to Marwen” came up with an innovative and cost-effective technique to create its miniature doll characters.
PAY ATTENTION TO THESE FILMS!
For the first time in his legendary animation career, British filmmaker Nick Park has missed out on a BAFTA nomination.
From giving animators greater rigging control to refining the ability to time transformations more precisely, ILM has perfected the technical animation art of the transformation.
Brad Bird is singing a new tune.
It’s a new day in animation!
Animation will play a huge role in Disney’s 2019 output.
The film opens in the U.S. on February 22, 2019, but for those who can’t wait, you’ve got some options.
Want to study how they constructed the story for “Spider-Man: Into the Spider-Verse”? Download a free copy of the script.
The director of “Tito and the Birds” speaks with Cartoon Brew about his film about the “disease of fear,” a condition that turns people into zombie-like creatures.
The audience’s read on a character is “so influenced by how their hair looks,” says ILM vfx supervisor Jeff White.
These two vfx-driven films could end up losing a combined $150-200 million.
Sony Animation is giving an early Christmas present to animation fans.
“I don’t approach production design from the standpoint of style; I approach it from the standpoint of character,” says “Spider-Man: Into the Spider-Verse” production designer Justin K. Thompson.
Weta Digital animation supervisor Dennis Yoo explains how they managed to make enormous cities move on wheels for the film.
An extensive conversation with “Spider-Man: Into the Spider-Verse” director Bob Persichetti.
Why Imageworks had to ‘break’ their animation and VFX pipeline to make “Spider-Man: Into The Spider-Verse.”
Coming in 2019.
It’s close encounters of the herd kind.
GKIDS will release this unique animated feature in North America next year.