The new one-year program, in partnership with University of Technology Sydney, will launch in 2017.
We go behind-the-scenes to learn how Laika animated one of the biggest stop motion puppets ever constructed.
It takes a village of artists and technicians to create a sophisticated CGI character like Elliot the Dragon.
SIGGRAPH can be overwhelming, so here’s an animation and VFX-focused look at what not to miss in Anaheim.
What does a visual effects supervisor do and how do you become one? We find out from a leading feature film vfx supe.
Early digital effects were mixed in with breakfast cereal and matzo crackers to create one of the iconic sequences in contemporary cinema.
Carton Brew speaks to ILM vfx supe Pablo Helman about the variety of vfx techniques needed to create the scene-stealing performances of Bebop and Rocksteady.
MPC recruitment manager claims, “Getting to say you make THE BEST movies gets you friends with benefits.”
Adelaide, Australia-based Rising Sun Pictures made the vfx for the most talked-about shot in the new “X-Men” film.
“Dragonheart,” released twenty years ago this week, was a live-action film that had one of the first digital characters you could believe in. We talk to the ILM artists who created it.