Who’s going to be nominated for a vfx Oscar? And who might slip in through the back door? We do a comprehensive breakdown of the category.
Animators overcame big challenges to transform Taika Waititi into a 7-foot 6-inch rock creature.
Visual effects legend Phil Tippett looks back at two decades since “Starship Troopers,” and shares recently unearthed location scout and on-set video from the film.
The studio looked to real world reference for water, sand, fire, and smoke in their latest Lego movie.
More than 15 years ago, Disney tried to make “Gemini Man,” a film in which a real actor interacted with his younger CG self. This is the story of the studio’s ambitious attempt to make a convincing CG human.
Real-time tools are giving animation and vfx creators more flexibility in generating cg worlds and characters.
The ‘Homecoming’ filmmakers wanted to show Spider-Man’s tentative side in the movie’s dramatic ferry scene.
You’ve heard of previs, but what about ‘video-vis’? This technique could save you time and money when making a film with complex vfx sequences.
Steven Spielberg’s pop culture-soaked dystopia transfers “The Iron Giant” and “Akira” to virtual reality.
An overview of Weta Digital’s process in turning performance capture into final animation in the newest ‘Apes’ film.