The ‘Lesbian Space Princess’ Backlash Shows Online Fandom At Its Worst
Criticism of ‘Lesbian Space Princess’ is fair game, but the ugly online campaign against the film and its creators feels feels cruel, targeted, and inorganic.
Criticism of ‘Lesbian Space Princess’ is fair game, but the ugly online campaign against the film and its creators feels feels cruel, targeted, and inorganic.
‘My Good Boy’ director Sara Priorelli explains drawing love as something squashy, strange, and never quite explained in full.
Paper, thread, and a sheet of glass – Seun Yee speaks on how she spent eight months animating ‘Boundaries’ by hand, frame by frame.
Fresh off winning MIFF’s Best Australian Short prize, ‘Our Choir Has Always Been Travelling’ is about to hit the road.
A hot summer day shared by five neighbors as ‘Balconada’ director Iva Tokmakchieva speaks on turning a pandemic sketch into a MIFF standout.
Sarah Harper created and directs the poppy, candy-colored apocalyptic comedy, developed by Flying Bark with Lightfold and Olan Rogers.
Flying Bark and Lightfold are co-developing an ambitious original property they say will span animation, comics, and games.
Jarrod Prince made his 11-minute pilot mostly alone over five years on a shoestring budget. A year in, he’s plotting his next steps.
The Aussie super-indie made its third major announcement in less than a year, after boarding ‘Lackadaisy’ and launching ‘Knights of Guinevere.’
Melbourne-based animator Savva Tsekmes channels Gene Wilder’s iconic Willy Wonka boat monologue into a haunting, self-produced environmental short.
The feature will adapt the award-winning graphic novel by Tom Taylor and Jon Sommariva, both of whom are attached to the project.
Go behind the scenes with filmmakers Emma Hough Hobbs and Leela Varghese as they share storyboards and craft secrets behind ‘Lesbian Space Princess.’
Cartoon Brew has an exclusive look inside Cosmic Dino’s new facilities where the ‘Bluey’ movie will be made.
Australian directors Emma Hough Hobbs and Leela Varghese made their Berlin-premiering feature film for just $600,000.
The company’s Melbourne outpost is expected to create 80 jobs.
Jarrod Prince’s ‘Olive Place’ is a lo-fi technical kaleidoscope that blends puppetry, live action, pixilation, stop motion, and hand-drawn animation.
Numerous animated shorts also earned awards at the 75th edition of the Berlinale.
‘Bluey’ creator Joe Brumm, who will write and direct the feature, is also stepping away from the tv series.
‘Memoir of a Snail’ opens today in Los Angeles and New York City, before expanding more widely next month.
IFC Films will launch the film theatrically in the U.S. on October 25.