‘Minions: The Rise Of Gru’ Is On Pace For Monster Opening After Amazing Thursday Previews
The Minions have done what Pixar couldn’t: proven that audiences still want theatrical animation.
The Minions have done what Pixar couldn’t: proven that audiences still want theatrical animation.
Conservative platform DailyWire+ has promised to invest a minimum of $100 million in kids’ content over the next three years.
Moho’s free 14.4 Side Quest update lets animators export full 2D rigs and animations to Unity, Unreal, Godot, and Blender using the glTF format.
Our latest Video Essay features a detailed look at the epic rivalry between Don Bluth and Disney Animation.
Hulu looks keen on expanding its adult animation efforts after appointing Parker to the newly-created position.
Learn about British filmmaker Phil Mulloy whose bold, grotesque, and minimalist works explore the dark and savage side of human nature.
Reviews are mixed for Illumination’s latest, which is predicted to pull in between $65-93 million over the July 4 weekend.
The streamer will also begin airing new episodes of ‘The Cuphead Show’ in August.
A new video dives into the history of LGBTQIA+ representation in animation over the past century.
Here are all the people who have been invited to the Short Films & Feature Animation and Visual Effects departments.
As Disney extends Chapek’s contract, we revisit the good, the bad, and the ugly of his time at the helm.
Oddbot has optioned the rights to The Cardboard Kingdom, Séance Tea Party, and The Okay Witch.
The Sea Beast, The Bob’s Burgers Movie, and The Bad Guys highlight an exciting crop of new animation heading to streaming in July.
The BBC sees another high-level departure as it shakes things up to become a digital-first broadcaster.
Knowlton’s pioneering work at Bell Labs in the 1960s is the foundation on which modern computer animation is built.
Cartoon Brew’s Cole Delaney documents his first in-person trip to the world’s biggest international animation festival.
Lightyear’s box office performance went from bad to worse during its second weekend.
Director Chris Williams discuss the cinematic influences behind The Sea Beast, and how working on Moana prepped him for this film.
Set to hit the platform in more than 200 countries and territories next year, the new series is produced by Orange and Toho.
Titles from Brazil, Peru, Mexico, and Chile were just a few from the increasingly prominent Latin American contingent at this year’s Annecy.
The new feature, which debuts on Paramount+ today, has tickled reviewers.