Disney Is Moving Forward With Live-Action Reboot Of ‘Snow White And The Seven Dwarfs’
“The Amazing Spider-Man” director Marc Webb is the studio’s top choice to direct the film.
“The Amazing Spider-Man” director Marc Webb is the studio’s top choice to direct the film.
“The Lion King” is a big technical leap forward for the art of animation. Innovation in the art form deserves to be celebrated, not belittled and hidden from the public.
A closer look at how Norway’s Qvisten Animation is powering their animation productions with HP technology.
A lighthearted commentary on blockchain games and their futurity.
Thirty-two European animation projects were presented at the 2019 edition of this pitching competition.
The film is directed by Dan Scanlon and produced by Kori Rae, the same team behind 2013’s “Monsters University.”
With over 60 Pokémon to design and a complicated approval pipeline, “Pokémon Detective Pikachu” was not your typical hybrid cg production.
Enjoy this rare behind-the-scenes look at Disney Animation in the 1990s.
There’s more animation jobs in Ottawa than there are qualified workers.
A hot young plumber, Toomas, breaks into the harmonious life of Manivald and his retired mother.
Twenty-four Latin American projects are participating in the program this year.
The American version of “Akira” is on its way.
The Guy Ritchie-directed film has already passed $225 million in global box office.
What does a vfx supervisor actually do during a film’s production? The answer might surprise you.
Not all childhood memories are nice. Some of them reach out to the present, no matter how much time has passed.
“I Lost My Body” will reach Netflix’s 150+ million subscribers.
The conference takes place October 21-25 in Torino, Italy and brings together professionals working in interactive and immersive storytelling, computer graphics, animation, vfx, video games, vr, ar, and mixed reality projects.
In a dystopian world populated by animated wine glasses, a timid character tries to escape an important rite of passage.
Animation power players, both on the creative and executive side, are scheduled to speak at the 3rd annual Women in Animation World Summit.
Analysts project “Aladdin” will gross somewhere between $75-$85 million through the extended holiday weekend.
A key figure from Pixar’s glory days will head up character animation for DNEG’s burgeoning feature animation group.