Interview: Mark Osborne’s Personal Journey On ‘The Little Prince’
Mark Osborne talks about why he said no to directing the project at first and why working in CG can drive a director crazy.
Mark Osborne talks about why he said no to directing the project at first and why working in CG can drive a director crazy.
Theft in the world of advertising is rarely accidental; it is part of the craft.
Italy’s largest computer graphics and digital media conference has an amazing line-up of speakers this year from Disney, WB, Sony, Pixar, Laika, Zynga and beyond.
This is the story of the fastest man in the world, who almost never was.
Hundreds of employees have been told not to come to work tomorrow!
What happened in Montreal in 1967 has never happened before or since.
A new production company aims to tap into the growing market for mid-range CGI family features.
Making an independent animated short is hard. But what if you had the power of Pixar’s animation toolset and renderfarm behind you?
Get ready, New York City: Animation Block is back for its thirteenth edition!
Take a first look inside Taschen's ginormous Disney art book!
American audiences to Fox: please stop making "Ice Age" films.
Here's why Rebecca Sugar's Comic-Con bombshell is a historic moment for animation.
SIGGRAPH can be overwhelming, so here’s an animation and VFX-focused look at what not to miss in Anaheim.
Computer animation is known for its precision, but as Michael Fragstein shows, adding imperfections and abstraction into CG can be just as beautiful.
Hasbro has bought the studio that animated "Wander Over Yonder," "Gumball," and "Danger Mouse."
The only thing worse than being the last man on Earth is being the second-to-last man on Earth.
Chinese filmgoers have put their support behind an indie hand-drawn/CG animated feature that took 12 years to make.
Chris Renaud talks about comic influences on "The Secret Life of Pets," Illumination's unconventional workflow, and the studio's fluid production process that allows humor to be added in during every stage of production.
Almost 80,000 people in France showed up for the first week of Michael Dudok de Wit's "The Red Turtle," made in collaboration with Studio Ghibli.
China's most expensive animated feature of all-time is at the center of a war between Chinese entertainment conglomerates.