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'Light of the World' brings hand-drawn 2D animation back to theaters with a global team, indie spirit, and some '90s Disney known-how.
At Destination D23, Pixar previewed 'Toy Story 5' and 'Hoppers' and announced a 'Toy Story' re-release and Disney shared 'Zootopia 2' casting updates.
Don Hertzfeldt-curated 'Animation Mixtape' premieres at IFC Center tonight, reviving the big-screen experience for short films before touring nationwide.
Pixar veteran Rodrigo Blaas debuts 'Duende,' an feature project blending flamenco, Japanese influences, and the music of Rosalía. Watch the first teaser.
Jay Oliva directs the animated take on Robert Heinlein’s classic sci-fi novel, with 'Game of Throne's producer Startling, Inc. on board.
Netflix and Sony’s musical phenomenon reclaims weekly No. 1 globally, nears all-time record, and sells out sing-alongs ahead this weekend's theatrical release.
Sitges 2025 spotlights animation with Anima’t, featuring high-profile new titles, restored classics, and global premieres this October.
The Seville European Film Festival will debut a new European short film section this year and a best animated short award, its first animation-specific prize.
TIFF 2025 debuts a best animated short award and reveals 10 animated title lineup, joining feature showcases from Mamoru Hosoda and Takahide Hori.
Netflix will debut three new Dr. Seuss animated titles this fall: 'Red Fish, Blue Fish,' 'Horton!,' and 'The Sneetches.'
Pakistan’s first hand‑drawn animated feature, 'The Glassworker,' unveils an English-language trailer ahead of its U.S. theatrical release this month.
Only halfway through its 91‑day viewing window, Netflix’s current metric for tracking views, ‘KPDH’ is on track to claim the No. 2 spot by next week.
Defying streaming norms, Netflix’s 'KPop Demon Hunters' is gaining steam weeks after release, topping charts globally with its music, animation, and fandom power.
From daring student shorts to industry deep dives on Disney rides and AI-powered NASA visuals, SIGGRAPH 2025 showcased animation’s evolving future.
The program is set to begin in Mexico early next year, and it is open to both students of Escena and outside participants.
"The ultimate challenge," said co-director Chris Appelhans, "is that pop music, above all, needs to be a bop and it needs to be hooky, and it needs to be irresistible."
The film is based on the book "I Eat Poop."
A deep dive into three new indie Canadian features screening at Annecy.
Third Floor co-founder Josh Wassung explains how they built an animation studio around "Predator: Killer of Killers."
'Dandelion's Odyssey,' which premiered at Cannes Critics' Week, presents a daring fusion of time-lapse photography, robots, cg animation, and macro-photography.