How Andrew Coats and Lou Hamou-Lhadj Made The Independent Short ‘Borrowed Time’ Inside Pixar
Making an independent animated short is hard. But what if you had the power of Pixar’s animation toolset and renderfarm behind you?
Making an independent animated short is hard. But what if you had the power of Pixar’s animation toolset and renderfarm behind you?
Recent announcements for four animated series that will be returning for second seasons.
It happened! Animated features broke a major box office record this weekend.
Chris Renaud talks about comic influences on "The Secret Life of Pets," Illumination's unconventional workflow, and the studio's fluid production process that allows humor to be added in during every stage of production.
Disney is finding money with animation in 2016.
As much a surrealist art piece as a game promo, the trailer for Warhammer 40,000: Dawn of War III is a unique accomplishment. Cartoon Brew takes a look at how it was made.
On the eve of the world's largest animation festival, here's a few useful items you might consider bringing with you to the festival.
A Los Angeles animation studio creating work that appeared on Disney and Nick-owned platforms didn't pay it artists for months and suddenly shut down.
Cartoon Brew presents the Internet world premiere of "Symphony of Two Minds," a CG short unlike any you've seen before.
Will audiences defy critics and turn out to support an animated feature inspired by a mobile gaming app?
Forty-three years after its release, one of the weirdest Japanese animated features is receiving its due recognition in the United States.
Rising young animators and filmmakers will be featured prominently in this new Cartoon Brew feature.
"They don't make animation like this anymore," says Warner Bros. exec Mary Ellen Thomas.
Rémi Chayé's unique hand-drawn feature is earning plenty of accolades, but finding an audience isn't easy.
"Our primary goal is to broaden and redefine the perception of animation in the US."
Acting instructor Ed Hooks explores the animated performances of this year's five feature animation nominees.
Filmmaker David OReilly reports on his experiences at the one-of-a-kind Georama animation festival in Tokyo.
As millennials abandon TV viewing and gravitate to mobile and online consumption, traditional TV studios are scrambling to adapt to the viewing habits of young viewers.
At one point during tonight's Annie Awards ceremony, after Pixar had won its umpteenth award, SpongeBob voice actor Tom Kenny asked the audience, "When are we going to start calling these awards The Pixies?"
The top animation prizes at both Sundance and Slamdance were won by student animated shorts from the U.K.