Ghibli Co-Founder Toshio Suzuki Says Miyazaki “Was All Smiles” Making ‘The Boy And The Heron’
Suzuki says he knew he'd likely appear in the film, but was surprised to be a main character and even more so to be a bird.
Suzuki says he knew he'd likely appear in the film, but was surprised to be a main character and even more so to be a bird.
Gustafson was also the supervising director of 'The PJs' and animation director of 'Fantastic Mr. Fox.'
The 22nd VES awards will be presented on February 21 at The Beverly Hilton Hotel in Los Angeles.
Softimage was a key piece of cg animation software in the 1990s and used to make films like 'Jurassic Park,' 'Titanic,' and 'The Matrix.'
Production designer Aidan Sugano spoke with us about the film's bumpy development, his role on the film, and putting together the book.
Yuki's body of work work is a beautifully unhinged, mind-drenching, kaleidoscopic explosion of colors, figures, memories, and voices.
"By showing fragments of violence I had experienced in my life, I was putting together a portrait of society in a patriarchal world," says Yakovleva,
And why he couldn't resist adding some hand-drawn 2d sequences to the mix.
Warnock co-founded Adobe, was a key figure in the development of the PDF format, and created the earliest version of Adobe Illustrator.
Deja talks about the work that went into making his dream a reality, and why he thinks other artists should do the same.
The production crew of "Puss in Boots: The Last Wish" is discussing the craft that went into making the hit film.
Studios can now freely integrate the feature-rich application into their production pipelines.
Buck art director Helena Dong explains how she created an augmented reality exhibit for Takashi Murakami's work at The Broad in Los Angeles.
The remote collaboration tool Bluescape allow users to collaborate, iterate, and create in a single visual, persistent workspace.
Dutch artist Jasper Hesseling used iClone to model and animate a 3d Jessica Rabbit in just two weeks.
The "Moana" series will be the first production from Walt Disney Animation Studios Vancouver.
This company says a hint of pipe tobacco blended with a dash of vanilla captures the "masculine yet delicate" aroma of Disney's office.
Jim Hillin, the cg supervisor of "Beauty and the Beast," reveals the creation of an iconic moment in Disney animation history.
"Will they not understand until animation workers too begin to die, one after another?" says director Takashi Watanabe about employers.
FuzzyPixel producer Jen Dahlman explains how the cloud can help streamline animation production.