Not Your Grandpa’s Talking Animals: How Animators Kept ‘The Jungle Book’ Real
Cartoon Brew delves into the animation challenges of Disney's latest blockbuster.
Cartoon Brew delves into the animation challenges of Disney's latest blockbuster.
Rémi Chayé's unique hand-drawn feature is earning plenty of accolades, but finding an audience isn't easy.
Heading into its fifth weekend at the U.S. box office, Genndy Tartakovsky’s Hotel Transylvania 2 has proven to be a crowd-pleaser in both …
"Inside Out" is already accumulating praise throwing around the word 'masterpiece' -- and it's well-deserved.
The Hungarian animation director opens up on his more than 50 years in animation.
Steve Hulett recounts his experiences working on "Oliver & Company" and the unexpected tragedy that happened during its production.
What do long-lost sweatbox notes reveal about the creation of one of Disney's finest films?
Analyzing the performance and acting in the Academy Award-nominated "How to Train Your Dragon 2."
Steve Hulett remembers the time when Disney artists were told they were being moved to a warehouse off the lot, and the animation division's first "gong show" pitch session.
Five animated features have been nominated for a Golden Globe in the best animated feature category.
Walt Disney Productions changed forever when two guys named Mike and Frank showed up.
When the Disney strike of 1982 ended and the story artists returned to their respective work spaces in the animation building, "Basil of Baker Street" was still running along two sets of tracks. There were storyboards filled with gags and character bits, and boards filled with plot points.
There’s too much post-apocalyptic fiction around, in books and movies, TV and games. I’d toss the lot into a dumpster now, except for "Adventure Time."
A girl has to conquer her fear for her grandma who is deathly ill.
Steve Hulett recounts his role in the the confusing and chaotic production of Disney's most un-Disney-like feature, "The Black Cauldron."
Masaaki Yuasa's fourth TV show wraps up in a fairly satisfying way with a briskly paced and nicely animated climax that brings emotional closure to the story with a cathartic showdown and thread-tying coda.
Before I got hired at Disney Features, I sold a few magazine articles and developed a love of writing for print, where there was nothing between writer and reader but words on a page. When I became a Disney employee, I realized I was surrounded by animation veterans with vivid memories of the rambunctious days at the old Hyperion studio, and the creative struggles that went into making "Snow White," "Pinocchio," and the other early features. Talking to older Mouse House staffers, it dawned on me they could provide great source material for articles.
Peco and Dragon battle it out in a fierce match, and Peco's victory paves the way for a climactic showdown between old friends.
Ralph Bakshi pulled himself away from his drawing desk in New Mexico to chat with Cartoon Brew about his legacy, his latest project "The Last Days of Coney Island," which he recently funded on Kickstarter, and what he really thinks about the computer’s role in animation these days.
Uncle Grandpa premieres this evening at 8 p.m. (ET, PT) on Cartoon Network. The show was created by Peter Browngardt, 34, who also voices …