Weinstein Co.’s ‘Underdogs’ Trailer is Predictably Cringeworthy
The Weinstein Company has released the American trailer for "Underdogs," which it will release into U.S. theaters on April 10, 2015.
The Weinstein Company has released the American trailer for "Underdogs," which it will release into U.S. theaters on April 10, 2015.
José Luis Moro Escalona, who ran one of Spain's leading commercial animation studios and created the iconic Familia Telerín, died yesterday in Madrid at the age of 88.
"Mexico is way more complicated than anybody thinks." Jorge Gutierrez talks like a man on a mission. For the past decade-and-a-half, he has sought to bring a more authentic portrayal of Mexico and its people to Hollywood.
This is the story of a young woman out for a hike along a coastal tide pool. Her encounter with a sea anemone triggers a phantasmagorical reaction. She meets a man who seems to be in a similar predicament, and together they start a family of sorts.
Walt Disney Productions changed forever when two guys named Mike and Frank showed up.
If you love animation, you'll want to check out this list of animated features that will be released in 2015.
Laika's "The Boxtrolls" topped the noms with a total of thirteen; the awards will be handed out January 31, 2015, in Los Angeles, California.
Steve Hulett on everything from "Winnie the Pooh and a Day for Eeyore" to "Katy Caterpillar."
We go behind-the-scenes of the Oscar-shortlisted "The Bigger Picture" with animator Chris Wilder.
We don't often post trailers for animated shorts, but the 2-minute teaser for "Poet Anderson: The Dream Walker" has attracted a lot of attention over the past few days, and deservedly so.
Animation is good for communicating just about any message, even for encouraging dudes to touch their junk.
Suppose you wanted to make an animated film or TV series, but you didn’t have any new ideas and (gasp) you don’t want to remake the same old properties. Take heart: there’s a lot of great material out there just begging to be adapted into animation.
"Chief has to DIE,” Ron Clements said. “The picture doesn't work if he just breaks his LEG. Copper doesn't have enough motivation to hate the fox."
Add Cuba to the list of the countries that has produced its own computer-animated feature. "Meñique y el espejo mágico" ("Tom Little and the Magic Mirror") opens this Sunday, July 20th, in Havana.
Before I got hired at Disney Features, I sold a few magazine articles and developed a love of writing for print, where there was nothing between writer and reader but words on a page. When I became a Disney employee, I realized I was surrounded by animation veterans with vivid memories of the rambunctious days at the old Hyperion studio, and the creative struggles that went into making "Snow White," "Pinocchio," and the other early features. Talking to older Mouse House staffers, it dawned on me they could provide great source material for articles.
On a couple occasions throughout the years, people have asked me, Why do so many animated films have dead mothers in them?
For the fifth year in a row, we are delighted to present the selections for the Cartoon Brew Student Animation Festival, our online showcase for animated short premieres by student filmmakers. We like to believe that each year is our strongest year, but this year's selections feel particularly vital, illustrating the remarkable breadth of work currently being produced by student filmmakers around the globe.
The animated feature "JOYFLUID" opens in a limited number of IMAX 3D theaters in Mexico this Friday. The Mexio City-produced motion capture animated film was directed by Alejandro Rodriguez Huerta and made by the Rodriguez Brothers Animation Group.
Using a unique animation technique involving traditonal animation cels and his iPhone 5s, Hombre_mcsteez turns everyday life into an odd creature infested cartoon universe.
Kaio finally tries to poach Smile, Peco gets into the National Training Center with a little help from the old lady, and we learn about coach Koizumi's storied past. This episode was largely devoted to character development, and finally brought into focus just what a complicated web of character interrelations Yuasa has woven out of the original source material, much as he did in Mind Game. There was no single major driving plot element, but rather various themes and plotlines gradually converging. By this point it feels like what we are seeing is more Yuasa than Matsumoto.