Festival Report: Pictoplasma 2015, Where Character Is King
Cartoon Brew's European correspondent reports from an art event that emphasizes characters above all else. But is that a good thing?
Cartoon Brew's European correspondent reports from an art event that emphasizes characters above all else. But is that a good thing?
"Pinocchio" screens this morning as part of the Academy's on-going Animation Showcase series.
Hundreds of hours' worth of animation is newly available to stream online.
An iOS/Android app for easy animating on the go.
The 'Frozen' teaser trailer is in legal hot water.
A project aims to collect as many letters of encouragement as it can from animators.
The directors of "The Lego Movie" were honored for their achievements in the field of animation.
Who says animators can't be tech entrepreneurs?
The hunt is on for the next generation of animated storytellers.
From "Muppet Babies" to "Heavy Metal," British animator and director Jeff Hale had an eclectic animation career.
Cartoon Brew speaks to director Greg McLeod about "365," a new short with an unusual concept.
Stop motion animator Dillon Markey explains how he transformed the long-forgotten 1980s Power Glove Nintendo controller into an essential—and aesthetically splendid—tool for animating in stop motion.
We present complete coverage of the animation-related Oscar nominees for the 87th annual Academy Awards.
Cartoon Brew has always been vigilant about moderating the comments section. This year, we're getting stricter.
The European 3-D children's feature "Ooops! Noah is Gone" has finalized its distribution plans and is set to debut globally in 2015.
These cartoonists stood up against intimidation and fought for their right to freedom of expression. Let us celebrate their victories.
The American animation industry's wage-fixing scandal received the most attention on Cartoon Brew this year, with three of our most viewed stories focused on that topic.
The Annecy International Animated Film Festival will make history during its 2015 festival by having an all-women jury for the first time in its 55-year existence.
Michael Eisner lounged his six-foot-four frame in a conference room chair. He was wearing jeans and sweatshirt, but why not? It was a Saturday morning.
"Pim and Pom: The Big Adventure" was not only made on a tiny budget, but had the added challenge of translating the visual style of one of the most beloved Dutch children's book illustrators.