Tangent Labs Launches Loupe, A New Cloud-Based CG Production Tool
Tangent describes Loupe as a tool "for artists, by artists."
Tangent describes Loupe as a tool "for artists, by artists."
"In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions," says Nathan Love's Joe Burrascano.
If the studio has its way, pre-visualization will become as big in China as it is in Hollywood.
Once again, the animation and vfx branches are disproportionately male.
Pixar is continuing to diversify its rank of co-directors, but what does that mean?
The group aims to see 50/50 gender parity across Austin's expanding animation industry by 2025.
The producer of the upcoming series explains why Finnish animation is going global — and what that means for the continent.
"Atlanta has been a hotbed for new productions," says Brad Kalinoski, who heads the new office.
Can you name the former animation director who made "Fear and Loathing in Las Vegas"? "Enchanted"? "Mission: Impossible – Ghost Protocol"?
Matthew A. Cherry talks about the journey of making his Oscar-nominated short "Hair Love," produced in a Toon Boom Harmony pipeline.
How can Halifax compete with the likes of Toronto, Vancouver, and Montreal? Key players in the city give their views.
Seven of the ten shorts on the shortlist for the 2020 Academy Awards were made outside of the United States.
"Good artists copy; great artists steal" is not the best motto if you work in the animation industry.
Deedee Animation Studio, based in Hanoi, talks with Cartoon Brew about the tortuous process of setting up a 2d animation studio in Vietnam.
New research looks at gender, ethnicity, inclusivity, and pay in the U.K.'s animation, vfx, and post-production sectors.
In 2017, John Morena set out to make 52 shorts in a year. The animator talks to Cartoon Brew about the one-of-a-kind project that is "Area 52."
With new competitors on the way, the streaming giant Netflix is turbocharging its preschool content production.
We speak to the filmmakers of three short animated documentaries from the current festival circuit and learn how they came to be made.
A group of industry figures has drawn up a list of prominent women in animation. They hope it will help festivals to pick more female jurors.
It will be the second original feature that Pixar releases next year.