An Animator Explains The Upsides Of Learning Paperless Animation With Toon Boom Harmony
"You have more control over the scope of the animation process," says Mik Kirchheiner of animating directly with a tablet.
"You have more control over the scope of the animation process," says Mik Kirchheiner of animating directly with a tablet.
The unit is at work on cg fantasy feature "Igraine the Brave," based on a book by acclaimed children’s writer Cornelia Funke.
A Iranian monarch visits France in the 19th century. There, he falls for a young actress, and invites her to his country in the hope of winning her heart …
The Sony Pictures Animation-produced film has been viewed by 53 million households in its first 28 days of release.
Mr. Magoo and Gerald McBoing Boing came to life in this building.
Galloway has carved out a niche creating stop-motion commercials with toys. He tells us how he got here.
Robbins admits that the kids network had "lost its way for a while."
In a wide-ranging interview, the director drills into the narrative and design choices behind his Pixar feature.
A preview of the five features that Chile will present at the Marché du Film.
The company is expanding its workforce, despite recent criticisms that it pays its artist rock-bottom rates.
Welcome to Series Craft, a new series in which we explore a creative facet of a show’s production in depth and discuss the choices that led to the finished result.
The festival will also host the world premiere of "Satoshi Kon, The Illusionist," a documentary about the late anime master.
Are you ready for the most meta reaction video out there?
"Inspiring Walt Disney: The Animation of French Decorative Arts" opens at the New York museum on December 10.
But the number of women invited to join these branches remains well below average.
The R-rated Netflix comedy is directed by "Archer" veteran Matt Thompson.
Paramount will release the hybrid film theatrically on September 17.
Topics will include "Shrek" and Disney, online fan cultures, and merchandising and franchising.
Welcome to the Hanna-Barbera Shared Universe.
In a wide-ranging conversation, Appelhans explains why he ended up making the feature in China, rather than through the U.S. studio system, and reflects on what it means to be an American telling a story rooted in Chinese culture.