Behind The Scenes: How ‘Jiang Ziya’ Is Seeking To Rival Hollywood Animation
Watch the crew discuss their ambitions for the film — and for Chinese animation in general.
Watch the crew discuss their ambitions for the film — and for Chinese animation in general.
Ambition, exploitation of labor, environmental pollution, human degradation, surplus value, corruption, and much more in the amazing world of capitalism.
The Academy Museum revealed news details today about its inaugural Hayao Miyazaki exhibit.
TV writer Jeff Lowell tweeted that his young colleagues know too few classic shows. His comments caused quite a stir.
Angry reactions on Twitter have caused Nick Jr. to pull the premiere of an upcoming animated series.
Matt Watts talks about an important and often overlooked part of the 2D animation process: character rigging.
In this new series, leading filmmakers and artists discuss works of animation that have had a formative influence on them.
The first few episodes of this animated documentary are now online. We speak to co-director Ed Bell.
Happy Fourth of July?
How do you create a world that's both cute and threatening? The show's art director Angela Sung explains.
Learn to take criticism. Don't assume you'll learn much at school. And always think of the nose…
For the first time, the top feature prize went to a film that no one got to see.
There's much more to a great portfolio than great artwork. Get free feedback via video conference from IDEA Academy.
Kenji Iwaisawa made his award-winning film for one tenth of a normal anime feature's budget. He tells us how he did it.
Filmmakers Wesley Louis And Mohamed Fadera share their thoughts in a video hosted by animation studio The Line.
Industry artists are tired of pay secrecy and are sharing their salaries on social media.
The six-minute video, which was produced at Malaysia's Animasia Studio, has racked up 12 million views and counting.
Arturo "Vonno" Ambriz tells Cartoon Brew about making a stop-motion epic with little money and no prior experience.
Arthur van Merwijk started making "Morphle" by himself. Now, it's a global entertainment brand with millions of Youtube subscribers and billions of views.
When Sam Kishi wanted to incorporate animated segments into his live-action feature, he didn't have to look far. That's because he also runs the Mexican animation studio Platypus.