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Uli Meyer Is Adapting ‘Molesworth’ Into A Feature (Exclusive Teaser And Interview)
Uli Meyer speaks to Cartoon Brew about the challenges of adapting Ronald Searle's artwork to animation.
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How ‘Toy Story 4’ Was Influenced By Live-Action Cinematography
A video essay that explains how Pixar recreates the effects of real camerawork in its virtual worlds.
Annecy Announces 2019 Short Film Competition Selections
The French animation festival has announced 80 films in its first group of competition selections.
Academy Voters: You Better Not Overlook These 6 Animated Features In The Oscar Race
PAY ATTENTION TO THESE FILMS!
Oscar-Shortlisted Shorts: See The Visual Development And Production Design – Part II
In the second part of this exclusive series, we explore the production design of "Animal Behaviour," "Bird Karma," "Late Afternoon," "Grandpa Walrus," and "Weekends."
‘If It’s Not Broke, Break It’: Sony Imageworks’ Renegade Approach To ‘Spider-Man: Into the Spider-Verse’
Why Imageworks had to 'break' their animation and VFX pipeline to make "Spider-Man: Into The Spider-Verse."
Nikita Diakur’s Groundbreaking CG Film ‘Ugly’ Is Now Online
At a time when digital artists are still grappling with the potential of computer animation, Nikita Diakur's "Ugly" is an eye-opening dive into the medium's untapped possibilities and a bold statement on where cg animation might still go.
Facebook Makes It Easier For Creators To Share 3D Posts
Get ready to see a lot more 3D content on your Facebook news feed, but how do you get it there and what can you do with it?
Toon Boom Harmony Brings Traditional Anime To Life Digitally
Read our case study of how a young Japanese studio is using Toon Boom to create traditional pencil-and-paper quality work, while respecting their artists’ process and culture.
The Biggest Motion Capture Studio in Canada Just Opened
Already a hub for vfx, animation and games, Vancouver now has a new mo-cap studio.
The CG Actors in ‘Logan’ You Never Knew Were There
Digital actors are again in the spotlight, with a cg Hugh Jackman and another character made for key scenes in ‘Logan.'
‘Miss Peregrine’s Home for Peculiar Children’ Goes For the Harryhausen Touch
Find out how Double Negative created a battle sequence between skeletons and invisible creatures in Tim Burton's latest film.
Who Does What On A CGI Character: The Many Makers of Elliot in ‘Pete’s Dragon’
It takes a village of artists and technicians to create a sophisticated CGI character like Elliot the Dragon.
Making A Nuclear Apocalypse: How The Iconic Sequence In ‘Terminator 2’ Was Created
Early digital effects were mixed in with breakfast cereal and matzo crackers to create one of the iconic sequences in contemporary cinema.
‘A Surreal Lucid Nightmare’: The Making Of ‘Warhammer 40,000: Dawn of War III’ Trailer
As much a surrealist art piece as a game promo, the trailer for Warhammer 40,000: Dawn of War III is a unique accomplishment. Cartoon Brew takes a look at how it was made.
First Look: ILM Artist Greg Jonkajtys Is Developing A ‘Teddy Floppy Ear’ Feature
Visual effects veteran Greg Jonkajtys is giving a high-tech upgrade to a classic Polish children's property.
Tomm Moore on ‘Song of the Sea,’ Reinventing 2D, and Dodging the Studio System
"I do think that animation can have a language of its own, rather than simply mimicking live action."
Boomerang is Dead, Long Live Boomerang!
Turner Broadcasting announced yesterday that they will rebrand the Cartoon Network spin-off Boomerang in 2015, changing it from a channel of classic cartoons and Cartoon Network re-runs to a "global all-animation, youth-targeted network."
Andy Serkis Is Giving More Credit to the Animators Now
Actor Andy Serkis may have changed his tune somewhat from earlier this spring when he insisted that animators do nothing but add 'digital makeup' on top of his acting.
Exclusive: ‘Clarence’ Creator Skyler Page Out of Cartoon Network After Sexual Assault Allegations [UPDATED]
The Internet animation community is talking about one thing today: a series of tweets last night by "Adventure Time" storyboard revision artist Emily Partridge in which she identified artist Skyler Page, the creator of the Cartoon Network series "Clarence," as sexually assaulting her.
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