Most Industry Creators Don’t Own Their Shows Or Characters. Some Production Companies Are Trying To Change That
Animation creators are generally lucky to own 10% of their IP. A cohort of young companies wants to change that.
Animation creators are generally lucky to own 10% of their IP. A cohort of young companies wants to change that.
The limited series — which Gutiérrez calls a “fantasy, super-epic, crazy movie” — is coming to Netflix this year.
Animation educators at the Toon Boom-accredited online school discuss their teaching philosophies.
The Vancouver-based studio is capitalizing on rapid growth in the pandemic.
The spread of the Delta variant, coupled with vaccine mandates, may have done for the film's theatrical release.
The subtitle of the fourth "Hotel Transylvania" film is "Transformania," but perhaps it should be "The Search for a Release Date."
The festival's tenth edition will be held virtually on September 7–11.
The awards will be held at UCLA’s Royce Hall on February 26, 2022.
The studio was working on multiple feature animation projects for Netflix at the time of shutdown.
The studio is welcoming vfx supervisors Dottie Starling, Damien Hurgon, and Ellen Poon, as well as feature animation head of production Nathan Santell.
When the songs kick in, the design is dialed up to 11. It’s a shame and an irony, then, that the songs themselves aren’t very memorable.
The film debuts on Netflix on August 6.
“A studio should not have its twenty-something girls crying in the bathroom, doing all-nighters,” says Joan Chung.
The sequel is directed by Amp Wong, one of the co-directors of "White Snake."
Netflix and Disney dominated. Again.
“The importance of receiving proper credit is relevant for us artists,” says Alvarez. “It’s our evidence for future and bigger opportunities."
Netflix and Disney+ dominate the animation and vfx categories with six nominations apiece.
Robbins admits that the kids network had "lost its way for a while."
The Tokyo studio also condemned public discussion of its working conditions.
The company owed ¥137 million in unpaid taxes.