Meet Tonic DNA, The New Montreal Studio With A 35-Year-Old Legacy
Formerly Studio Pascal Blais, Tonic DNA sets a new course for its future, including more long-form projects.
Formerly Studio Pascal Blais, Tonic DNA sets a new course for its future, including more long-form projects.
Tired of Disney's endless stream of remakes? Here's an alternative.
Spain, Brazil, and Argentina lead the way with the most nominated projects.
Here are the nominees in the Academy's three animation-related categories.
The producer of "Gumball" is taking on more responsibility at Turner EMEA.
What's ahead in vfx for 2019: a look at the upcoming superhero films, sequels, and live-action adaptations of animated classics and video games.
See the complete list of nominations for the 2019 VES Awards.
John Lasseter is an alleged serial sexual predator, and that should raise concerns for women working at Skydance.
PAY ATTENTION TO THESE FILMS!
In the second part of this exclusive series, we explore the production design of "Animal Behaviour," "Bird Karma," "Late Afternoon," "Grandpa Walrus," and "Weekends."
In the first of a two-part series, we explore the production design of "Age of Sail," "Bao," "Bilby," "Lost & Found," and "One Small Step."
Animation will play a huge role in Disney's 2019 output.
Make your animation production pipeline more efficient and affordable than ever with Simple Animation's hybrid cloud.
Attempting to remove an unresponsive badger from a dark road, a police patrol soon realizes that the animal is not dead but rather dead drunk.
The director of "Tito and the Birds" speaks with Cartoon Brew about his film about the “disease of fear,” a condition that turns people into zombie-like creatures.
Don Lusk worked on the first animated feature made by Walt Disney, "Snow White and the Seven Dwarfs."
The audience's read on a character is "so influenced by how their hair looks," says ILM vfx supervisor Jeff White.
Researchers at the University of Washington have developed a new technique for creating 3d cg character animation from a single still image.
"I don’t approach production design from the standpoint of style; I approach it from the standpoint of character," says "Spider-Man: Into the Spider-Verse" production designer Justin K. Thompson.
Weta Digital animation supervisor Dennis Yoo explains how they managed to make enormous cities move on wheels for the film.