Hungary’s Digic and Zen Studios Suffer Layoffs As Parent Company Embracer Group Continues To Make Cuts
According to Embracer, the company laid off 900 workers worldwide in Q2 of this year, around 5% of its global workforce.
According to Embracer, the company laid off 900 workers worldwide in Q2 of this year, around 5% of its global workforce.
This is the first time in IATSE's history that a bargaining unit made up entirely of vfx workers has unionized with the organization.
"By showing fragments of violence I had experienced in my life, I was putting together a portrait of society in a patriarchal world," says Yakovleva,
Tyer's crude drawings and off-kilter movements can give the impression of being slapdash, but like a great jazz musician improvises around a melody, Tyer expertly bent and stretched his characters with a playful sense of experimentation.
David Hand, who worked at Disney for a spell in the 1990s, says his father and Walt would be "turning in their graves."
Critics are praising director Jeff Rowe for pushing aesthetic risks he first took when co-directing 'The Mitchells vs. the Machines.'
Without billions in backing or decades-old IPs, these indie producers are blazing a path in tv and feature animation.
We spoke to Hellavision organizers Peter Steineck and Michael Van Swearingen, as well as Dave Merson Hess, who programmed its most recent episode.
Five Republican senators wrote to the TV Parental Guidelines Advisory Board demanding new tv ratings guidelines.
Alberto Mielgo’s acceptance speech was as problematic as the other issues of the evening. It denied animation history. It rejected what exists, has existed, and will continue to exist.
"Magical puberty transformation" is not a standard Pixar film description, and that's refreshing.
Adults, take heart: the rest of the world makes animated features for you, even if Hollywood doesn't.
Netflix is becoming much more transparent about the viewership of its films and tv series.
A world populated by digital avatars needs a whole lot of real-time animation.
"We always want to do funny things, but the results are always terrifying. We seem to be bad comedians."
“We don’t want all these objects to end [up] in the ocean or poor countries as garbage,” says Delphine Maury of France's Tant Mieux Prod.
A producer explains how they built a pipeline for the upcoming hybrid series "Royals Next Door."
The festival will also host the world premiere of a documentary about Tippett, directed by his daughter.
An insightful, if sometimes dryly academic, look at the development of abstract in animation, chiefly between the 1950s and 1970s.
In an unprecedented move, Universal will make the film available (at no extra cost) to Peacock Premium subscribers.