The 10 Most-Viewed Pieces Of Youtube Animation Aren’t What You Might Expect
Youtube is the new gatekeeper for animation creators – and that's not necessarily a good thing.
Youtube is the new gatekeeper for animation creators – and that's not necessarily a good thing.
It's a good year for the animation world: some previously overlooked women filmmakers and Japanese animation directors have been invited to join the Academy this year.
Sylvain Chomet's modern animated masterpiece "The Triplets of Belleville" premiered in French theaters on this day 15 years ago.
'The Last Fiction' is a gamechanger for the Iranian feature animation industry.
The Japanese filmmaker's toe-tapping latest "Lu Over the Wall" open in the U.S. this Friday.
She will co-direct Blue Sky's first musical, with music from the songwriting duo behind "La La Land" and "The Greatest Showman."
A world-class group of animation creators will present at the GLAS Animation Festival, including "The Lego Movie" makers Phil Lord and Chris Miller.
Details on the six new Dreamworks animated series set to premiere in 2018 on Netflix.
Cartoon Brew reports from the first-ever European Animation Awards.
The ASIFA-Hollywood Annie Awards love Disney.
The director and star of Cartoon Saloon's powerful new work, "The Breadwinner," speak to Cartoon Brew.
Learn the basics of copyright law to protect yourself as an artist.
Netflix has a new philosophy when it comes to anime: go big or go home.
A haunting animated gem, created entirely by one person, starts its U.S. theatrical run today.
Could Whoopi Goldberg get "Song of the South" released in the United States?
Gnome guts, gnome glory.
Why did the Academy invite a record number of animation artists to join their organization this year?
Cartoon Saloon returns to theaters this fall with a very different type of animated feature: "The Breadwinner." We go in-depth on the new production with director Nora Twomey.
Watch the teaser for "Kensuke's Kingdom," a feature film based on the bestselling children's novel by Michael Morpurgo.
"It’s not going to look like a Pixar movie, where you see money on the screen," says "Ernest & Celestine" director Benjamin Renner.