The Animation That Changed Me: Tomm Moore on ‘The Thief And The Cobbler’
In this new series, leading filmmakers and artists discuss works of animation that have had a formative influence on them.
In this new series, leading filmmakers and artists discuss works of animation that have had a formative influence on them.
The graduating class of Royal College of Art's Master’s in Animation program is presenting their year-end exhibition online — and you're invited!
The first few episodes of this animated documentary are now online. We speak to co-director Ed Bell.
Happy Fourth of July?
Social, economic, and public health crises — and a "Chicken Run" sequel.
How do you create a world that's both cute and threatening? The show's art director Angela Sung explains.
Learn to take criticism. Don't assume you'll learn much at school. And always think of the nose…
For the first time, the top feature prize went to a film that no one got to see.
There's much more to a great portfolio than great artwork. Get free feedback via video conference from IDEA Academy.
Kenji Iwaisawa made his award-winning film for one tenth of a normal anime feature's budget. He tells us how he did it.
Wan spotlights sublime cuts in shows ranging from "Naruto" to "Devilman Crybaby."
Filmmakers Wesley Louis And Mohamed Fadera share their thoughts in a video hosted by animation studio The Line.
Industry artists are tired of pay secrecy and are sharing their salaries on social media.
The six-minute video, which was produced at Malaysia's Animasia Studio, has racked up 12 million views and counting.
This animated feature is unlikely to get made, but the director is sharing with fans what could have been.
Arturo "Vonno" Ambriz tells Cartoon Brew about making a stop-motion epic with little money and no prior experience.
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
Don't blink or you'll miss some of these tributes in "Scoob!"
Arthur van Merwijk started making "Morphle" by himself. Now, it's a global entertainment brand with millions of Youtube subscribers and billions of views.
When Sam Kishi wanted to incorporate animated segments into his live-action feature, he didn't have to look far. That's because he also runs the Mexican animation studio Platypus.