Going Into and Beyond Peyo’s World for ‘Smurfs: The Lost Village’
How Sony referenced the original material and looked to new horizons for the latest Smurfs feature film.
How Sony referenced the original material and looked to new horizons for the latest Smurfs feature film.
Visual effects played a huge role in bringing Michael Pitt’s Kuze villain to life in the new live-action version of 'Ghost in the Shell.'
We travel to sunny Lisbon to experience Monstra, a two-week long animation festival.
Watch a free 45-minute video in which Oscar-nominated animation director Aaron Blaise reveals 7 essential steps to designing a character for animation.
After 20 years in the industry, Oscar-nominated short filmmaker and commercial director Grant Orchard discovered that tv series production has its own unique challenges.
The iconic Disney animator will be celebrated this spring at the Walt Disney Family Museum.
As entertaining and satisfying as "Zootopia" may be on a scene-by-scene basis, the movie ultimately fails because it insists on having it both ways simultaneously - anthropomorphic and metaphoric.
Made in America with Chinese money, does "Rock Dog" represent a future for animated features?
Learn about the unique production pipeline used by director Michael Dudok de Wit to create the Oscar-nominated feature "The Red Turtle."
How Chris McKay immersed himself in the world of Batman for the latest Lego adventure.
Director Claude Barras talks about the hard work of achieving simplicity, the keys to making kid characters in animation feel authentic, and why he believes stop motion is the midpoint between fiction and animation.
Five-time-Academy Award winner Ken Ralston offers his thoughts on past projects and the future of vfx.
In a new DC Comics series, the classic Hanna-Barbera character Snagglepuss is accused of being a Communist.
This year's Oscar-nominated vfx supervisors name their toughest shots—and they're not all what you might think.
The 25-year-old L.A. studio Renegade Animation is discovering new possibilities with Adobe's real-time animation software.
These four films are Oscar-worthy, but will the Academy recognize them tomorrow?
The first Brazilian animated film was shown in theaters on January 22, 1917.
How Blue Sky's Chris Wedge went from animation to live-action for 'Monster Trucks'.
Thirty-second episodes of the digital series will debut on Instagram.
Cinesite used vfx to craft a dramatic carriage chase that has a practical feel in the new 'Assassin's Creed.'