Pixar Creative Chief Pete Docter Says AI Could Be A ‘Game Changer’
Said Docter, " I think it’s a great tool for people who know how to use it to say something about the human experience."
Said Docter, " I think it’s a great tool for people who know how to use it to say something about the human experience."
Nick Park and his longtime collaborate Merlin Crossingham review the craft, technique, and stop-motion performances of Netflix's latest Oscar-nominated feature.
The short earned its Oscars qualification by winning the Ojo for Best Mexican Animated Short Film at Morelia International Film Festival.
'Rules' humorously examines the consequences — or lack thereof — of ignoring spoken and unspoken societal norms.
The animation industry in Montreal, the province's hub of animation and vfx production, is in decline.
"I go berserk as far as the formula," Hawkins explained of his approach. "I just can’t resist the temptation to take the formula and change it."
Cartoon Animator 5 is a powerful animation tool with features that are sophisticated enough for professional users, but intuitive and easy enough for new animators.
What do Denis Villeneuve, Wes Anderson, Steven Spielberg, Jean-Luc Godard, and Stephen Chow all have in common?
A closer look at how Norway's Qvisten Animation is powering their animation productions with HP technology.
Bakshi also gave us access to a trove of behind-the-scenes artwork and explained how his team brought life to Element City and its characters.
Autodesk senior engineering director Jeff Bell explains the benefits of the company's new cloud-based asset management platform, Flow.
CTA dev Garry Pye and his 15-year-old daughter Maddison demonstrate how easy creating animation is with CTA 5.2.
Shinkai opened up about his unique (mostly) solitary process of writing and developing films.
In this exclusive series, the filmmakers behind each of this year's Oscar-shortlisted shorts reveal their favorite shots.
The editor of 'Across the Spider-Verse' dissects the film's unconventional opening sequence and its climactic train-top fight scene, among other topics.
Bristol-based animator Christopher Meyer-White explains why he used Cartoon Animator 5 for his show 'Polly and Parrot.'
VFX workers get screwed by Hollywood yet again.
He's directed some of Disney's most beloved films of the modern era, but making I'm Hip required John Musker to do something he hadn't done regularly in the last 40 years: animate.
Odd Projects will represent Brantley in all areas and support expansion into merchandising, licensing, and endorsements.
López Estrada is the third different director who has been attached to the remake.