Gkids Will Release Masaaki Yuasa’s ‘Inu-Oh’ Theatrically In The U.S. Next Year
Are you ready for a Japanese musical period piece about a cursed theater performer and a blind lute player?
Are you ready for a Japanese musical period piece about a cursed theater performer and a blind lute player?
Kenji Iwaisawa made his award-winning film for one tenth of a normal anime feature's budget. He tells us how he did it.
Ghibli's former head of international speaks about the studio's awkward relationship with Disney — and much more — ahead of the release of his memoir.
A journey through an imaginary Mausoleum in Chandigarh, Le Corbusier’s modernist city in Northern India.
An animation supervisor and a senior animator at Framestore discuss the challenges — and surprising upsides — of working remotely.
Looom, available on Ipad, is pitched at both non-animators who want to learn and pros who want to experiment.
Hint: it helps to have yodeling.
How do the animated short film channels on Youtube work? Cartoon Brew speaks to one of them, as well as filmmakers who have gone down this route.
New York studio Thinko believes that its Mr. Puppet Animation System could change animation production.
Cartoon Brew speaks to directors Luis Usón and Andrés Aguilar about their award-winning hybrid short film.
Netflix and Nickelodeon announce new partnership in counterpunch to launch of Disney+.
Lessons from Luma’s animation supervisor on the fiery Elemental in the film.
"If you have an idea for a short that involves story, for God’s sake don't do it in vr."
"I like taking on something that’s not going to be that easy," says "Uglydolls" director Kelly Asbury.
With festival attendance booming, Annecy is becoming an important stop for the American studios to preview and premiere animation projects.
How the Blender team made a main character for their latest short film.
Hundreds of classic animated films have been made in one of the most unlikely animation studios. Paul Driessen, Torill Kove, Jacques Drouin, Janet Perlman, and others share memories of the awkward but beloved NFB building.
The film opens in the U.S. on February 22, 2019, but for those who can't wait, you've got some options.
Weta Digital animation supervisor Dennis Yoo explains how they managed to make enormous cities move on wheels for the film.
Jamaal Bradley has worked on some of Hollywood's biggest animation productions. Now he's making his directorial debut with the feature-quality independent short "Substance."