‘Mind Game’ Director Masaaki Yuasa To Present Annecy Masterclass
Yuasa's other credits include cult favorite Lu Over the Wall and episodes of Japan Sinks: 2020 and Adventure Time.
Yuasa's other credits include cult favorite Lu Over the Wall and episodes of Japan Sinks: 2020 and Adventure Time.
Baobab Studios has added two animation directors, two games directors, and a new director of marketing in its latest round of appointments.
Gilbert Gottfried's voice acting credits are many and vast, so we've collected some of our favorites to remember the comedian.
Discovery and Warnermedia have now merged into Warner Bros. Discovery.
"Slow Light" employs paper cut-out stop-motion and b&w hand-drawn animation to differentiate between overlapping timelines.
For our review roundup, we opted to focus on the few – very few in fact – reviews which addressed the film’s cgi work.
Brazil, Chile, and Mexico lead the way with six nominations apiece.
After this year's Oscar debacle, Lord and Miller are asking for "a respected filmmaker to present the award and frame animation as cinema.”
The GLAS Animation Festival starts today – and you can see all of it online.
Collins has been promoted to senior vice president of development, while Shi joins the Pixar "braintrust" as a new vice president of creative.
A24 has dropped the trailer for Marcel the Shell with Shoes On, coming to theaters this summer.
The Seong-Hu Park-directed film is also the highest-grossing U.S. theatrical animation release of 2022 to date.
A rundown of animation coming to U.S. streaming services in April 2022.
Harley Jessup, Henry Selick, and Brian Narelle share their memories of an iconic American filmmaker.
Animation is booming as never before in Spain’s Canary Island of Tenerife, boosted by extraordinary tax incentives. Arguably, no other site in Europe is currently transforming so quickly into an international animation production hub.
The film will stream on Shudder beginning June 16 and is set to be accompanied by a limited theatrical release.
The film marks the solo feature directorial debut of Disney veteran Chris Williams.
Alberto Mielgo’s acceptance speech was as problematic as the other issues of the evening. It denied animation history. It rejected what exists, has existed, and will continue to exist.
It was somehow fitting that in an evening absent of all decorum, the Academy found two different ways to trash the animation art form.
The network emphasized its “franchise strategy” which aims to expand “the global footprint of beloved properties through spinoffs, theatricals and additional seasons.”