Animation Artists Reveal Salary Disparities With #AnimationPaidMe Hashtag
Industry artists are tired of pay secrecy and are sharing their salaries on social media.
Industry artists are tired of pay secrecy and are sharing their salaries on social media.
"Part of our job in entertainment is to help throw focus on that painful reality," writes Toliver. "We need to encourage people to not look away from uncomfortable things, but instead breathe into that discomfort."
A journey through an imaginary Mausoleum in Chandigarh, Le Corbusier’s modernist city in Northern India.
An official statement says: "Covid-19 is changing the entertainment industry … The merger is a direct and necessary response."
Abovitz wanted to make a popular augmented-reality entertainment system. He failed.
With Josh Cooley's departure, all of the directors of Pixar's iconic "Toy Story" franchise have left the studio.
Sowl's Solomon W. Jagwe explains how he harnesses iClone and Perception Neuron to animate his show.
ViacomCBS's revamped streamer, due to launch in summer, will be home to shows from Nickelodeon, Paramount, and MTV, among others.
Arturo "Vonno" Ambriz tells Cartoon Brew about making a stop-motion epic with little money and no prior experience.
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
The Scooby-Doo origin story is the second animated tentpole to skip theaters for VOD.
The 2020 edition of the Stuttgart International Animation Festival was a virtual success, but it's no replacement for attending a festival in person.
An important name in modern Disney animation outlines his philosophy of success.
The agency will work with the character "in all areas, including tv, film, and brand strategy and commercial endorsements."
A music video for John Legend's "When You Can Fly," a song from the vr experience "Crow: The Legend."
Fifty percent of production spending in Ireland is now animation.
With a slowdown in live-action production, the WGA is re-igniting a turf war by trying to cover more writers on animation productions, traditionally the domain of The Animation Guild.
So says "The New York Times," which interviewed the recently departed CEO.
The event itself may be canceled, but Annecy's competitions are running as usual this year.
The website, which hosts a variety of animated content, claims 130 million monthly average users.