Netflix And Reel FX Tease ‘Super Giant Robot Brothers!’, An Animated Series Made With Unreal Engine
"Brave" director Mark Andrews is directing the new series.
"Brave" director Mark Andrews is directing the new series.
Morgan Galen King and Philip Gelatt started the film as a self-funded passion project. Eight years later, it's in the running for an Oscar.
Camarillo worked across crucial but unsung roles, such as prop designer and background clean-up artist.
Get ready for clone troopers, oddball sci-fi shorts, the return of Finn and Jake, and more …
Olivares, who also served as character designer on Sony's new film, tells us how it came together visually.
The film squanders an interesting set-up by diverting into frenetic action and comedy.
"I didn’t initially know that 'Gatchaman' was a Japanese production," says Tindle, "but I could sense that it was different."
What's ahead in vfx for 2019: a look at the upcoming superhero films, sequels, and live-action adaptations of animated classics and video games.
From giving animators greater rigging control to refining the ability to time transformations more precisely, ILM has perfected the technical animation art of the transformation.
We invited industry pros to tell Cartoon Brew readers what's inspiring them right now.
An oral history of PDI's tech behind the making of "Antz," which is celebrating its 20th anniversary.
How "Next Gen," now streaming on Netflix, went from idea to animated feature.
An exclusive behind-the-scenes look at Netflix's new feature "Next Gen."
Academy Award winner Ed Jones explains what it took to create "Who Framed Roger Rabbit" in the days before digital vfx.
Read our quick primer on the latest "Star Wars" film: "Solo."
The 'Homecoming' filmmakers wanted to show Spider-Man's tentative side in the movie's dramatic ferry scene.
How Blue Sky's Chris Wedge went from animation to live-action for 'Monster Trucks'.
Nearly 60 musicians were enlisted to create the recent "Steampunks" musical episode of Nick's "Harvey Beaks."
"Izzie's Way Home" will be the first movie from The Asylum's new animation division.
An animation-specific roundup of panels, presentations, and other cartoon goodness at America's biggest pop culture festival.