Vergine Keaton’s Cannes-Pitched Project ‘Bataille’ Explores War, Power, And Humanity Through Animated Renaissance Art
‘Making a film is sculpting time.’ Vergine Keaton discusses her dialogue-free animated epic inspired by Renaissance art.
‘Making a film is sculpting time.’ Vergine Keaton discusses her dialogue-free animated epic inspired by Renaissance art.
Animated features and shorts were omnipresent across the Croisette this year, but only two animated titles left Cannes with awards recognition.
A boy confined to an iron brace searches for freedom in Louis Clichy’s painterly coming-of-age story set in rural France.
The British auteur discusses humor, handmade animation, and the joy of animating ahead of the film’s Cannes debut and Annecy competition screening.
Phuong Mai Nguyen’s animated feature debut, based on AJ Dungo’s graphic memoir of the same name, becomes a major early festival pickup.
Bobbypills and UMedia’s buzzy queer animated comedy follows a Paris gym icon battling a virus that turns gay men straight.
Gagnol talks collaborating with Lilas Cognet after long-time partner Jean-Loup Felicioli retired, handcrafted visuals, and bringing the 2D feature to Cannes.
Producer Fabian Driehorst discusses the film’s financing push, hybrid production style, and growing support from major actors and broadcasters.
Dimitri Planchon and Jean-Paul Guigue unpack the film’s handmade 2D aesthetic, ensemble voice recording, and comic-book origins.
This year’s lineup mixes techniques, genres, and highlighting filmmakers and features from across Europe, Japan, and Latin America.
Buda talks to us about how her work has evolved since ‘Entropia’ and what she wants to do differently on her next film.
‘Elemental’ will then hit theaters on June 16, with ‘Ruby heading to cinemas on June 30.
Two new animated features are getting major festival debuts.
Folman wanted to tell Anne’s well-known story “to the youngest audience I could.”
The director of “Belle” says that a lot of anime filmmakers present young women in a way that “has nothing to do with the reality of who they are.”
This could well be the longest standing ovation the festival has ever given to an animated film.
The festival will also host the world premiere of “Satoshi Kon, The Illusionist,” a documentary about the late anime master.
When it comes to animation, the co-producers of “The Legend of Hei” mean business.
The animal-centric version of the Jules Verne novel stars a marmoset and a scheming frog.
Indie Sales has boarded Rémi Chayé’s next hand-drawn feature film.
Studio Ghibli’s first-ever co-production went up against 17 live-action films at Cannes, and won the special jury prize.
After a six-year break, Sony Pictures Classics is back in the animation game.
It’s the first European film that Japan’s legendary Studio Ghibli has co-produced.