When Sam Kishi wanted to incorporate animated segments into his live-action feature, he didn’t have to look far. That’s because he also runs the Mexican animation studio Platypus.
Animation can stay with viewers for a lifetime.
Nelson Lowry explains how he harnessed the studio’s unique capabilities for its latest feature.
How three female-directed features use animation to explore complex social themes.
Thurop Van Orman, creator of “The Marvelous Misadventures of Flapjack,” makes the most of his feature directorial debut.
Antín harnessed pre-Columbian iconography as the basis for the film’s character and production design.
Despite a bumpy production history, Pixar has delivered a crowd-pleaser with the fourth installment of “Toy Story.”
Moving forward, the network will rely more heavily on content from Dreamworks Animation.
The Austin, Texas animation studio is under fire for lying to employees, denying overtime pay, and overworking employees.
“Trolls World Tour” will be released in U.S. theaters on April 17, 2020.
Toon Boom is touting 40 new-and-improved features in the latest edition of its industry-standard animation software.
The winners were selected from 498 project submissions.
It will be the second original feature that Pixar releases next year.
“The Amazing Maurice” will be the first animated feature film ever made from a Terry Pratchett novel.
Paramount Animation is aiming to boost its output to two animated features a year starting in 2020.
The partnership creates new links between the famed French animation school, Japan, Africa, and the U.S.-based streaming service.
See the full list of 24 projects chosen for the 2019 SIGGRAPH Computer Animation Festival Electronic Theater.
“Funan” opens today in Los Angeles.
The organizers are calling on the global animation community to donate to a crowdfunding campaign so they can hold this year’s edition.
Dreamworks Animation TV unveiled two new series at Annecy this year.
