Animation Dominates 2025 Streaming: ‘Bluey’ Repeats As Nielsen’s Most-Watched Title
‘Bluey’ was the year’s most watched anything, ‘KPop Demon Hunters’ took the top film prize, and Seth MacFarlane won Streaming Icon of the Year.
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
‘Bluey’ was the year’s most watched anything, ‘KPop Demon Hunters’ took the top film prize, and Seth MacFarlane won Streaming Icon of the Year.
After taking time to finish her graphic novel ‘Raise the Bar,’ formerly a series project at Netflix, Frick returns to animation with the stop-motion teaser.
Mattel and Hasbro unveil expansive toy lines tied to Netflix and Sony’s animated hit in a merchandise push that arrived long after the film broke out.
Caballero discusses hybrid animation, miniature sets, and rotoscoped performance in a deeply personal documentary shaped by family memory and grief.
Oscar nominations revealed a risk-averse animated feature lineup, an unpredictable shorts race, and animation again ignored outside its own categories.
Second-half 2025 data shows which original films broke through, which struggled, and what the results may signal for Netflix’s animation strategy.
Fathom Entertainment, behind lucrative ‘Coraline’ and ‘ParaNorman’ re-releases, will handle U.S. distribution, with FilmNation selling internationally.
One of anime’s most influential and grounded mecha-based franchises, ‘Patlabor’ will get three theatrically released features over the next year and a half.
Ugo Bienvenu’s sci-fi debut took top animated honors at this year’s awards, strengthening its awards season credentials with Oscar nominations coming this week.
Passing ‘Inside Out 2,’ ‘Zootopia 2’ trails only ‘Ne Zha 2’ among animated films, and is the ninth-highest-grossing movie ever released, animated or otherwise.
Akimoto breaks down his and Studio 4ºC”s approach to movement, texture, and visual expression in a CG-driven take on the sci-fi classic.
The upcoming documentary examines the artists, politics, and risks behind the studio that broke away from Disney’s industry-dominant realism.
There’s 104 days of summer vacation, and now kids will have a new way to spend one of them when the property’s third film hits Disney+, Disney Channel.
The film hits theaters Friday. We spoke to director and Icon Creative CEO Shea Wageman about the rare North American indie, and why it’s not the studio’s last.
At the Golden Globes, the Murray the Mummy voice actor let slip that he’ll soon head into the booth to start recording for the franchise’s fifth installment.
Director Arturo Hernandez details how Out of the Nest nearly collapsed mid-production and the global effort that led to its eventual completion.
The double-win for Netflix and Sony’s animated hit gives the musical feature major momentum in the race for this year’s Oscars.
Hosoda breaks down Studio Chizu’s evolving CG pipeline, artistic influences, and the creative risks behind his most ambitious film yet.
Built from years of field research and first-hand interviews, ‘Black Butterflies’ shows how animation lets documentary go where cameras can’t follow.
After Aardman’s last two films went straight to Netflix, ‘Mossy Bottom’ will get a chance with theatrical audiences next Halloween.