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From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
More than 15 years ago, Disney tried to make “Gemini Man,” a film in which a real actor interacted with his younger CG self. This is the story of the studio’s ambitious attempt to make a convincing CG human.
Without any advance publicity or notice, The Weinstein Company has quietly slipped the Chinese animated feature “The Guardian Brothers” onto Netflix.
It’s never a good sign when the people running a feature animation division step down from their roles before the company has even released its first film.
Following big success on the festival circuit, Ann Marie Fleming’s quirky indie feature “Window Horses” is set for an Oscar-qualifying run.
A Japanese hit is headed to U.S. theaters.
The Woody Woodpecker live-action/cg hybrid is almost here — at least if you live in Brazil.
Disney put “Coco” director Lee Unkrich in a tough spot, and he’s expressing his frustration on Twitter.
The well-reviewed “Ballerina” is being released as the poorly-reviewed “Leap!”
Open source animation software was used in the production of the hand-drawn anime “Mary and the Witch’s Flower.”
“Zootopia 2” is on the fast-track at Disney.
We explain why it’s an extremely unpredictable year in the Oscar race for best animated feature.
The Weinstein Company will release children’s animation through a new label called Mizchief.
“The Emoji Movie” did something right.
China’s Original Force is jumping into the cgi fray with “Duck Duck Goose.” Here’s a first look at the film.
We’re launching this new resource to help readers keep track of American animated features in development.
The new film from “Ernest & Celestine” co-director Benjamin Renner will get a U.S. release.
The highly-anticipated first feature from Studio Ponoc will be released this winter in North America.
The ‘Homecoming’ filmmakers wanted to show Spider-Man’s tentative side in the movie’s dramatic ferry scene.
Critics aren’t holding back on “The Emoji Movie,” labeling it a piece of shit…a force of insidious evil…a soul-crushing disaster…nakedly idiotic.
Sony Pictures Animation is pivoting from Poop to Jesus Christ.