Jon M. Chu To Direct Dr. Seuss’ ‘Oh, The Places You’ll Go!’ For Warner Bros.
J.J. Abrams is producing.
J.J. Abrams is producing.
Netflix’s commitment to anime continues to grow.
A look back at the Oscar-nominated short and the innovative artistry of Chris Lavis and Maciek Szczerbowski, directors of ‘The Girl Who Cried Pearls.’
Unity’s acquisition of Weta Digital could be a game-changing moment in the vfx industry.
The software ties into Nvidia’s metaverse development platform.
It’s somewhat bizarre to think that no one has ever written a book to fully contextualize the expansive history of British animation . . . until now.
The CAPE Animation Directors Accelerator helps up-and-coming Asian and Pacific Islander artists hone their skills as they approach leadership roles.
The company has fleshed out the future of its ambitious Omniverse platform.
“Flee” picked up nominations in three categories.
Tim Minchin voices Pretty Boy, a world-famous koala with a misanthropic streak.
Overall, the global anime market shrank for the first time in 11 years as Covid wreaked havoc.
Meanwhile, “The Addams Family 2” has become the year’s second-highest-grossing animated film domestically.
A landmark study has shone light on systemic issues facing women in the vfx industry.
Do you know all the lyrics to “I Still Haven’t Found What I’m Looking For”?
Check out the artwork of five filmmakers whose animated shorts have qualified for the Oscar.
The property is changing hands for the fourth time since 2015.
Wes Anderson’s first-ever music video is for Jarvis Cocker’s cover of the classic French chanson.
“I think that interesting things can be done in advertising,” Leo Campasso tells us.
SeeU vs. Mavis: spot the difference.
A round-up of upcoming animation events on the continent (two of which are virtual).
In other news, Mayer has been tapped to consult on Discovery’s upcoming merger with Warnermedia.