The 10 Most-Viewed Pieces Of Youtube Animation Aren’t What You Might Expect
Youtube is the new gatekeeper for animation creators – and that’s not necessarily a good thing.
Youtube is the new gatekeeper for animation creators – and that’s not necessarily a good thing.
Among the company’s major projects is a live-action/animated Care Bears movie.
The program offers an intensive two-year exploration of animation from an artistic perspective in Ireland, Belgium, or Portugal.
Titmouse plans to employ 300 artists at its Vancouver studio by the end of the year.
“The Donkey King” will be the second homegrown cg feature released in Pakistan this year.
Square Enix debuted a teaser trailer today for Life is Strange 2, an intriguing coming-of-age tale about two young brothers on the run from authorities.
Imagery and text culled from American politics, drawing upon figures and themes based on the filmmaker’s upbringing in South Carolina.
Didn’t get to SIGGRAPH this year? Here’s a round-up of animation and vfx hardware and software announcements from the confab.
The “Get Animated Invasion” pop-up exhibit offers nine interactive spaces designed around select musical elements of Warner Bros. cartoons.
Meet Super Bao, an innocent and passionate steamed stuffed bun who is out to save the food world from the threat of bland flavors.
Disney offers the first look at its new cg prequel series to “The Force Awakens.”
First-time animation filmmaker Mark Samsonovich talks to Cartoon Brew about how he became the animation director of the new indie feature ‘We the Animals.’
With its own distribution channel and a big catalog of original content, Six Point Harness is not your typical service studio.
Be careful what you wish for, especially if it’s for more facial hair.
Here are some of the best animated student films of the year, as chosen by the Academy of Motion Picture Arts and Sciences.
It’s been 20 years since Chris Landreth’s groundbreaking short “Bingo” showed the world what Maya 1.0 could do.
Disney created a series of three animated shorts using real-time rendering technology.
Netflix paid $30 million to license this Chinese animated feature, which will debut next month on its service.
Animation may not be able to save our planet, but at least it can draw attention to how corporations like Nestle, Unilever, and Mondelez are destroying the planet.
In new comments, Studio Ghibli producer and co-founder Toshio Suzuki talks about the dark side of “Grave of the Fireflies” director Isao Takahata.
Directors Pierre Perifel, Liron Topaz, and JP Sans reveal how working on the new Dreamworks short transformed them as filmmakers.