In New Op-Ed, Phil Lord And Chris Miller Ask Hollywood To ‘Elevate, Not Diminish’ Animation
After this year's Oscar debacle, Lord and Miller are asking for "a respected filmmaker to present the award and frame animation as cinema.”
After this year's Oscar debacle, Lord and Miller are asking for "a respected filmmaker to present the award and frame animation as cinema.”
Animation is booming as never before in Spain’s Canary Island of Tenerife, boosted by extraordinary tax incentives. Arguably, no other site in Europe is currently transforming so quickly into an international animation production hub.
The school benefits from the involvement of Japanese indie icon Koji Yamamura who helped start the animation program.
The talks will pick up where they broke off on December 3.
Some animators earn $35k, others $175k.
The CAPE Animation Directors Accelerator helps up-and-coming Asian and Pacific Islander artists hone their skills as they approach leadership roles.
The festival's program runs the gamut from indie to industry, tech talks to rare retrospectives.
A producer explains how they built a pipeline for the upcoming hybrid series "Royals Next Door."
Animator Chris Meyer-White explains the software's advantages when it comes to hybrid approaches.
"You have more control over the scope of the animation process," says Mik Kirchheiner of animating directly with a tablet.
Based in L.A. and Montreal, the new studio will work on "premiere real-time 2d and 3d series and features."
The films and series pitched from the country range widely in subject matter, from terrorist extremism to zombie goats.
France's TeamTO is partnering with Toronto’s House of Cool to teach storyboard classes.
The French animation studio behind Netflix's "City of Ghosts" walks us through their approach on this unorthodox series.
Spanish animator Mònica Eggert has achieved something rare: she's made a demo reel that's a hit with audiences. We asked her about how it came together.
Ilze Burkovksa-Jacobsen explains how she drew on her experience of an oppressive regime to make her Oscar-qualified feature.
Experienced animator Amedeo Beretta explains why good 3d animation is about so much more than software.
Ruthie Harrison and Richie Ward reflect on the opportunities MECA has given them to make art and present it to the world.
Quaroni spent 24 years at Pixar, most recently as its vice president of software r&d.
Three animation studios tell us what it takes to create an original show in the country.