You Should Consider Producing Your Next Animation Project With Hungarians. Here’s Why.
Hungary is the country of honor at the Annecy Festival this year, and there is a lot to celebrate about the country's animation.
Hungary is the country of honor at the Annecy Festival this year, and there is a lot to celebrate about the country's animation.
The company, which says its software will do for animation what “the iPhone did for photography,” also announced the hiring of two veteran Pixar animators.
Using his unique production methods, the self-taught Russia-born, Texas-based animator is able to produce an entire animated short in one workday.
Ole Tillmann, art director of 'Harold Halibut,' walks us through the production process of one of 2024's most distinctive-looking video games.
Pérez Irigoyen's company Dessignare has found success with unconventional screen formats for animation in planetarium venues and virtual reality.
Praxinos will be demoing Odyssey during Annecy’s MIFA at the Epic Games and Praxinos booths.
Filmmakers from five of the shorts explain how their stories are particularly local, despite being set in a galaxy far, far away.
Krikey says that AI animation can be “the foundation of the next creator economy.”
Artists who worked on Netflix's 'Arcane,' 'The House,' and 'Love, Death + Robots' won awards.
There’s never been a better time to start an animation career in the 3D & VFX industry.
The school benefits from the involvement of Japanese indie icon Koji Yamamura who helped start the animation program.
Madagascan artist Cid explains how the program is helping him bring his highly stylized game to life.
The developers behind the new tool explain why they created it, how it is used, and what lies ahead for real-time 2d animation.
The French animation studio behind Netflix's "City of Ghosts" walks us through their approach on this unorthodox series.
Olivia, a young Black woman endowed with superpowers, leads her family to what she sees as a better life — only to realize that's not what she should be fighting for.
Ruthie Harrison and Richie Ward reflect on the opportunities MECA has given them to make art and present it to the world.
We speak to four studios about what it takes — and what it costs — to make cg visuals for theme park rides.
The new studio is creatively led by Brad Lewis, a veteran of Pixar and Dreamworks.
Studio head Mike Zaimont is accused of "a pattern of hostility, insults, threats, lying, and harassment."
The trailer's director Paco Zamudio talks to us about the state of Mexican and Latin American animation.