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From giving animators greater rigging control to refining the ability to time transformations more precisely, ILM has perfected the technical animation art of the transformation.
Details on Netflix's new genre-driven adult animation anthology.
It's a new day in animation!
Animation will play a huge role in Disney's 2019 output.
Make your animation production pipeline more efficient and affordable than ever with Simple Animation's hybrid cloud.
While playing Cops and Robbers with his friends, Daniel begins to realize that between catching and being caught there is something more going on.
Hanazuki started out as a personal idea before becoming an international character brand.
Want to study how they constructed the story for "Spider-Man: Into the Spider-Verse"? Download a free copy of the script.
More perspectives on the global animation production boom from countries in Latin America, Europe, Asia, and the Middle East.
Attempting to remove an unresponsive badger from a dark road, a police patrol soon realizes that the animal is not dead but rather dead drunk.
The director of "Tito and the Birds" speaks with Cartoon Brew about his film about the “disease of fear,” a condition that turns people into zombie-like creatures.
Don Lusk worked on the first animated feature made by Walt Disney, "Snow White and the Seven Dwarfs."
The audience's read on a character is "so influenced by how their hair looks," says ILM vfx supervisor Jeff White.
Don't call "The Lion King" an animated film. Or a live-action film.
Only for one week! See these incredibly rare and fully-restored Hungarian animated films.
Researchers at the University of Washington have developed a new technique for creating 3d cg character animation from a single still image.
These two vfx-driven films could end up losing a combined $150-200 million.
Sony Animation is giving an early Christmas present to animation fans.
In a hospital bed, a Turkish girl recalls happy days spent in her grandparents' village, but dark and terrifying memories rise to the surface.
"I don’t approach production design from the standpoint of style; I approach it from the standpoint of character," says "Spider-Man: Into the Spider-Verse" production designer Justin K. Thompson.