How The Stand-Out Character in ‘Avengers: Infinity War’ Was Made By Two Separate Studios
Cartoon Brew spoke to Weta Digital and Digital Domain to find out how multiple studios working on the same vfx character can achieve a seamless performance.
Cartoon Brew spoke to Weta Digital and Digital Domain to find out how multiple studios working on the same vfx character can achieve a seamless performance.
An insight into Image Engine’s work as one of several vfx studios on the new Netflix series, “Lost in Space.”
A desire to make the alien creatures scarier led to the last minute redesign for ILM.
The director of Disney's "Inner Workings" is slated to make his feature directorial debut with Dreamworks Animation.
Here's what it took to animate the giant Jaeger robots in "Pacific Rim Uprising."
Here's a roundup of some animated series projects that are currently in development or production.
Already a hit in several South American countries, "Condorito" opens today in the United States.
'Jumanji: Welcome to the Jungle' features plenty of cg jungle animals, as well as a number of other visual effects.
Practical effects, digital make-up, and dry-for-wet filming helped make Guillermo del Toro's 'The Shape of Water' possible.
Ten films have been shortlisted for the visual effects Academy Award.
Details on the six new Dreamworks animated series set to premiere in 2018 on Netflix.
Five of these films will be honored with visual effects Oscar nominations.
Animators overcame big challenges to transform Taika Waititi into a 7-foot 6-inch rock creature.
Visual effects legend Phil Tippett looks back at two decades since "Starship Troopers," and shares recently unearthed location scout and on-set video from the film.
"Trollhunters" is only the first installment of a three-part epic.
Disturbing new details have come to light about the creator of Nickelodeon's "The Loud House."
Peter Monga shares the lessons he’s learned creating "Morgan Lives in a Rocket House" on his own with the Unreal game engine.
We're launching this new resource to help readers keep track of American animated features in development.
The 'Homecoming' filmmakers wanted to show Spider-Man's tentative side in the movie's dramatic ferry scene.
Gnome guts, gnome glory.