Samurai Jack’s Phil LaMarr Gives A Masterclass In Improvised Voice Acting
The actor performs 12 new characters in ten minutes — while narrating his creative process.
The actor performs 12 new characters in ten minutes — while narrating his creative process.
The Wacom experience just became more affordable.
The artists behind the Oscar frontrunner have described their creative process in a range of interviews. We've compiled their most insightful comments.
How can Halifax compete with the likes of Toronto, Vancouver, and Montreal? Key players in the city give their views.
Mutants, dark magicians, inter-dimensional demons, Debbie Harry, Lou Reed, Iggy Pop… What's not to love?
Learn about the wide variety of careers taken up by alumni of School of Visual Arts's animation, computer arts, and vfx courses.
Revisiting the forgotten history of the unmade animated version of "Cats." The project passed through different styles, teams, and countries, before collapsing.
The popular iPad illustration app has added significant improvements to its animation capabilities.
Director Jérémy Clapin walks us through the making of his new feature "I Lost My Body."
Matt Williames talks us through the special appeal and unprecedented challenges of working on Sergio Pablos's "Klaus."
"Klaus" brings hand-drawn animation back — but it also pushes it forward. The film's artists tell Cartoon Brew how they created the film's unique look.
In his debut feature "The Tower," Grorud draws on personal experience to tell a story of Palestinian refugees that spans five generations.
We spoke to the artists and developers behind "Later Alligator," "Knights and Bikes," and "River City Girls" about their games' stylized visuals.
How three female-directed features use animation to explore complex social themes.
A director talks us through the ups and downs of making a low-budget cg animated feature.
The showrunners of three series — "Puffin Rock," "Moominvalley," and "Cupcake & Dino: General Services" — told us what helped them make the first season of their shows.
"It’s really in vogue to evoke old things to roll your eyes at them and sneer at them, and we really don’t want to do that."
In her autobiographical film, Regina Pessoa expands her repertoire, introducing object animation and wall drawings alongside hand-drawn animation.
According to Chomet, the school will be among the first in France to teach some courses in English.
At least three of its four newly announced directors have an ethnic background.