Preview: How TVPaint Is Used To Create A Painterly Look For Nölwenn Roberts’ New Short ‘Sam’s Dream’
Using TVPaint, the filmmakers of "Sam's Dream" were able to achieve the hand-made painterly quality that they were looking for.
Using TVPaint, the filmmakers of "Sam's Dream" were able to achieve the hand-made painterly quality that they were looking for.
The first thing you notice when you arrive at La Poudrière in Bourg-lès-Valence, France is a tall brick chimney. Quite unusual for an animation school...
Students from School of Visual Arts's MFA Computer Arts department share what they learned at their summer internships.
The debate about 2d versus 3d animation is becoming increasingly irrelevant as more artists use an integrated 2d/3d approach thanks to the new generation of powerful animation tools.
First-time animation filmmaker Mark Samsonovich talks to Cartoon Brew about how he became the animation director of the new indie feature 'We the Animals.'
Here's a look at some of the pages from a new book about Disney's Nine Old Men.
In just ten minutes, L.A. artist Toniko Pantoja walks you through everything you need to know about creating an industry-worthy story portfolio for feature and tv animation.
Hayao Miyazaki has spoken for the first time about his business partner and colleague Isao Takahata, who died last month.
The apology that John Kricfalusi has issued to victims of his sexual misconduct is being described as "creepy," "rage-inducing," and "a big pile of manipulative crap."
Created by ex-Disney artists, Taiko Studios had to learn some new tricks in international collaboration to create its first project, "One Small Step."
The Japanese filmmaker's toe-tapping latest "Lu Over the Wall" open in the U.S. this Friday.
We talk to animation producer J.J. Sedelmaier about the technology used to create classic cartoons - and his new museum exhibit about animation equipment.
He was a master of limited television animation, and proved that it can be as fun and creative as full animation.
Pixar's oldest employee, Luckey played a key role in the early years of the studio's feature films.
The co-art director of the Oscar-nominated film "The Breadwinner" walks us through the design process of the film.
Facebook as a maker of animation tools? It just happened.
Read our case study of how a young Japanese studio is using Toon Boom to create traditional pencil-and-paper quality work, while respecting their artists’ process and culture.
How the two main characters in Pixar's Oscar-nominated "Lou" were developed.
The moody universe of this Oscar-contending short was created with 2,500 sheets of recycled cardboard.
How the directors of 'Revolting Rhymes' adapted Roald Dahl's classic collection of poems, and scored an Oscar short-listing.