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My wrestling match with Ken Anderson now over, I returned once more to Wolfgang "Woolie" Reitherman and Larry Clemmons, working on the story end of "The Fox and the Hound."
The Internet animation community is talking about one thing today: a series of tweets last night by "Adventure Time" storyboard revision artist Emily Partridge in which she identified artist Skyler Page, the creator of the Cartoon Network series "Clarence," as sexually assaulting her.
There are many ways to create animation, and most of them are tedious and life draining. It's pretty common to find animators incorporating some combination of chair and desk as a prison of their practice, where they trudge through their work while simultaneously wasting away. Tobias Stretch has no appetite for that lifestyle, and uses the world as his stop motion playground.
Steven Spielberg's "Jurassic Park," along with other early-to-mid-Nineties films like "Terminator 2: Judgment Day" and "Toy Story," were all part of a breakthrough era in CGI filmmaking. What many people may not realize, however, is that the decision to create computer-animated dinosaurs wasn't made until the film was well into production.
Margaret Loesch, a forty-year children's TV veteran, has announced that she will step down as the founding president and CEO of the Hub Network when her contract expires at the end of this year.
Typically, the airport is a place that travelers want to spend as little time at as possible, but cartoon fans may want to rethink that strategy. In Japan, a four-day animation festival will be held entirely in an airport later this year, and in San Francisco, a new exhibit of cartoon advertising characters will open this weekend.
The Academy of Motion Picture Arts and Sciences, the stodgy group of film industry workers who hand out the Oscars, has revealed a list of the 271 people it has invited to become members of its organization this year.
I was back in Don Duckwall's office, exchanging insincere smiles with him. I had been on "The Fox and the Hound" with Larry, Woolie, and everybody else for half a year. But now Don wanted me to go on another assignment.
Peco and Dragon battle it out in a fierce match, and Peco's victory paves the way for a climactic showdown between old friends.
Today we look at the work of Uwe Heidschötter, Cartoon Brew's Artist of the Day!
Foreign animation distributor GKIDS announced yesterday that they have acquired North American rights to the Brazilian film "Boy and the World."
A look at the work of Pieter Vandenabeele, Cartoon Brew’s Artist of the Day.
The producer of this year's most intriguing and visually eclectic animated feature may well end up being the Mexican/Arabic actress Salma Hayek, who screened a work-in-progress version of her pet project, "The Prophet," last week in Cannes.
Cartoon Brew-ED is our new educational initiative that is edited by veteran animator and teacher Colin Giles. This new forum offers helpful animation tips, links to learning resources, and original educational content.
Marc James Roels and Emma De Swaef are an animation duo from Ghent, Belgium. Their work has gained extensive notoriety in the past few years, after their 17-minute wool-animated short "Oh Willy…" swept the festival circuit, racking up countless awards and charming the hearts of audiences across the globe.
The Academy of Motion Picture Arts & Sciences has announced the finalists for the 41st Student Academy Awards. The awards ceremony will take place on Saturday, June 7, at the DGA Theater in Hollywood. Among the five categories, one of them is dedicated entirely to animation, and another category—Alternative—includes animated films in it, too.
Believe it or not, one of the best online sources for animation history buffs is YouTube. Amazing and rare materials, often digitized from private film collections, is posted regularly on the streaming site. You just have to know where to look.
This week's issue of "The New Yorker" does something that they rarely ever do: review an animated TV series. The show they elected to discuss is "Adventure Time."
An ‘Anijam’ is a collaborative animation where various artists create individual short animated segments that are linked together to make one larger film. For the first time in Canadian history, 15 of Canada’s most acclaimed independent animators have come together to create a collaborative animated film. "Yellow Sticky Notes: Canadian Anijam" is an innovative and global approach to animation filmmaking and unites animators from coast to coast, from Vancouver to Halifax and all parts in between, to self reflect on one day of their lives using only 4x6 inch yellow sticky notes, a black pen and animation meditation.
Born in 1984 in Aichi Prefecture Japan, Tatsuhiro Ariyoshi is an independent animator who lives and works in Tokyo. He graduated from the Musashino Art University (Department of Imaging Arts & Sciences) in 2009, followed by a graduate degree from the animation department at the Tokyo University of the Arts.